Violet Sparks
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Completed, First published Jun 26, 2026

The narrative traces the unexpected arrival of Lilith, a woman claiming origins on the distant planet Pandora, into a rugged, unfamiliar Western landscape. Found amidst an explosion of energy, she quickly joins forces with Sadie Adler, navigating treacherous terrain and defending against bandits. These chapters reveal Lilith’s extraordinary powers – energy manipulation and a unique pistol – alongside Sadie’s sharp revolver skills. As they fend off attacks and journey toward Valentine, a tentative alliance forms, fueled by necessity and a growing, cautious acceptance of Lilith’s extraordinary claims. The story unfolds with tense action and hints at the mysteries surrounding Lilith’s arrival.
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43 Part
A creeping dampness clings to these pages, smelling of mildewed linen and forgotten dust. The narrative unfolds not as a story *told*, but as one exhaled from the shadowed corners of a decaying manor house. Old Geoffrey Crayon, a man more wraith than host, drifts through spectral landscapes of his own making—half-remembered inheritances of Dutch tradition, half-spun from the brittle threads of New York’s nascent shadows. The chill isn't merely seasonal. It seeps from the very architecture described—barns looming like skeletal fingers against a bruised sky, kitchens haunted by the phantom scents of hearth-smoke and long-vanished feasts. Each tale is a fragment of a larger, fractured dream, echoing with the melancholy of abandoned hearths and the rustle of unseen figures in the orchard. There’s a deliberate blurring of boundary—between the remembered and the imagined, the living and the decaying. The reader is not given a comfortable vantage point, but pulled into the swirling fog of Crayon’s recollections, forced to sift through fragments of folklore, half-formed superstitions, and the chilling echoes of a land where the past doesn’t fade, but *bleeds* into the present. It’s a landscape where the harvest moon casts long, predatory shadows, and the silence between tales is filled with the whispers of something ancient and unwell stirring beneath the floorboards. The sketchbook is not merely read; it is *inhabited*.