XXIII
Economic Considerations of Piety
As has been said, Kennaston read much curious matter in his dead uncle’s library. …
But most books—even Felix Kennaston’s own little books—did not seem now to be affairs of heavy moment. Once abed, clasping his gleaming broken bit of metal, and the truthful history of all that had ever happened was, instead, Kennaston’s library. It was not his to choose from what volume or on which page thereof he would read; accident, as it seemed, decided that; but the chance-opened page lay unblurred before him, and he saw it with a clarity denied to other men of his generation.
Kennaston stood by the couch of Tiberius Caesar as he lay ill at Capreae. Beside him hung a memorable painting, by Parrhasius, which represented the virgin Atalanta in the act of according very curious assuagements to her lover’s ardor. Charicles, a Greek physician, was telling the Emperor of a new religious sect that had arisen in Judea, and of the persecutions these disciples of Christus were enduring. Old Caesar listened, made grave clucking noises of disapproval.
“It is, instead, a religion that should be fostered. The man preached peace. It is what my father before me strove for, what I have striven for, what my successors must strive for. Peace alone may preserve Rome: the empire is too large, a bubble blown so big and tenuous that the first shock will disrupt it in suds. Pilate did well to crucify the man, else we could not have made a God of him; but the persecution of these followers of Christus must cease. This Nazarene preached the same doctrine that I have always preached. I shall build him a temple. The rumors concerning him lack novelty, it is true: this God born of a mortal woman is the old legend of Dionysos and Mithra and Hercules, a little pulled about; Gautama also was tempted in a wilderness; Prometheus served long ago as man’s scapegoat under divine anger; and the cult of Pollux and Castor, and of Adonis, has made these resurrection stories hackneyed. In fine, Charicles, you have brought me a woefully inartistic jumble of old tales; but the populace prefers old tales, they delight to be told what they have heard already. I shall certainly build Christus a temple.”
So he ran on, devising the reception of Christ into the Roman pantheon, as a minor deity at first, and thence, if the receipts at his temple justified it, to be raised to greater eminence. Tiberius saw large possibilities in the worship of this new God, both from a doctrinal and a moneymaking standpoint. Then Caesar yawned, and ordered that a company of his Spintriae be summoned to his chamber, to amuse him with their unnatural diversions.
But Charicles had listened in horror, for he was secretly a Christian, and knew that the blood of the martyrs is the seed of the church. He foresaw that, without salutary discouragement, the worship of Christus would never amount to more than the social fad of a particular season, just as that of Cybele and that of Heliogabalus had been modish in different years; and would afterward dwindle, precisely as these cults had done, into shrugged-at old-fashionedness. Then, was it not written that they only were assuredly blessed who were persecuted for righteousness’ sake?—Why, martyrdom was the one certain road to Heaven; and a religion which is patronized by potentates, obviously, breeds no martyrs.
So Charicles mingled poison in Caesar’s drink, that Caesar might die, and crazed Caligula succeed him, to put all Christians to the sword. And Charicles young Caius Caesar Caligula—Child of the Camp, Father of Armies, Beloved of the Gods—killed first of all.
Then a lean man, white-robed, and clean-shaven as to his head, was arranging a complicated toy. He labored in a gray-walled room, lit only by one large circular window opening upon the sea. There was an alcove in this room, and in the alcove stood a large painted statue.
This prefigured a crowned woman, in bright parti-colored garments of white and red and yellow, under a black mantle embroidered with small sparkling stars. Upon the woman’s forehead was a disk, like a round glittering mirror; seen closer, it was engraved with tiny characters, and Kennaston viewed it with a thrill of recognition. To the woman’s right were vipers rising from the earth, and to the left were stalks of ripe corn, all in their proper colors. In one hand she carried a golden boat, from which a coiled asp raised its head threateningly. From the other hand dangled three or four slender metal rods, which were not a part of the statue, but were loosely attached to it, so that the least wind caused them to move and jangle. There was nothing whatever in the gray-walled room save this curious gleaming statue and the lean man and the mechanical toy on which he labored.
He explained its workings, willingly enough. See now! you kindled a fire in this little cube-shaped box. The air inside expanded through this pipe into the first jar of water, and forced the water out, through this other pipe, into this tiny bucket. The bucket thus became heavier and heavier, till its weight at last pulled down the string by which the bucket was swung over a pulley, and so, moved this lever.
Oh, yes, the notion was an old one; the priest admitted he had copied the toy from one made by Hero of Alexandria, who died years ago. Still, it was an ingenious trifle: moreover—and here was the point—enlarge the scale, change the cube-shaped box into the temple altar, fasten the lever to the temple doors, and you had the mechanism for a miracle. People had only to offer burnt sacrifices to the Goddess, and before their eyes the All-Mother, the holy and perpetual preserver of the human race, would stoop to material thaumaturgy, and would condescend to animate her sacred portals.
“We very decidedly need some striking miracle to advertise our temple,” he told Kennaston. “Folk are flocking like sheep after these barbarous new Galilean heresies. But the All-Mother is compassionate to human frailty; and this device will win back many erring feet to the true way.”
And Kennaston saw there were tears in this man’s dark sad eyes. The trickster was striving to uphold the faith of his fathers; and in the attempt he had constructed a practicable steam-engine.
XXIV
Deals with Pen Scratches
Then Kennaston was in Alexandria when John the Grammarian pleaded with the victorious Arabian general Amrou to spare the royal library, the sole repository at this period of many of the masterworks of Greek and Roman literature.
But Amrou only laughed, with a practical man’s contempt for such matters. “The Koran contains all that is necessary to salvation: if these books teach as the Koran teaches they are superfluous; if they contain anything contrary to the Koran they ought to be destroyed. Let them be used as fuel for the public baths.”
And this was done. Curious, very curious, it was to Kennaston, to witness this utilitarian employment of a nation’s literature; and it moved him strangely. He had come at this season to believe that individual acts can count for nothing, in the outcome of things. Whatever might happen upon earth, during the existence of that midge among the planets, affected infinitesimally, if at all, the universe of which earth was a part so inconceivably tiny. To figure out the importance in this universe of the deeds of one or another nation temporarily clustering on earth’s surface, when you considered that neither the doings of Assyria or of Rome, or of any kingdom, had ever extended a thousand feet from earth’s surface, was a task too delicate for human reason. For human faculties to attempt to estimate the individuals of this nation, in the light of the relative importance of their physical antics while living, was purely and simply ridiculous. To assume, as did so many well-meaning persons, that Omniscience devoted eternity to puzzling out just these minutiae, seemed at the mildest to postulate in Omniscience a queer mania for trivialities. With the passage of time, whatever a man had done, whether for good or evil, with the man’s bodily organs, left the man’s parish unaffected: only man’s thoughts and dreams could outlive him, in any serious sense, and these might survive with perhaps augmenting influence: so that Kennaston had come to think artistic creation in words—since marble and canvas inevitably perished—was the one, possibly, worthwhile employment of human life. But here was a crude corporal deed which bluntly destroyed thoughts, and annihilated dreams by wholesale. To Kennaston this seemed the one real tragedy that could be staged on earth. …
Curious, very curious, it was to Kennaston, to see the burning of sixty-three plays written by Aeschylus, of a hundred and six by Sophocles, and of fifty-five by Euripides—masterworks eternally lost, which, as Kennaston knew, the world would affect to deplore eternally, whatever might be the world’s real opinion in the matter.
But of these verbal artificers something at least was to endure. They would fare better than Agathon and Ion and Achaeus, their admitted equals in splendor, whose whole lifework was passing, at the feet of Horvendile, into complete oblivion. There, too, were perishing all the writings of the Pleiad—the noble tragedies of Homerus, and Sositheus, and Lycophron, and Alexander, and Philiscus, and Sosiphanes, and Dionysides. All the great comic poets, too, were burned pell-mell with these—Telecleides, Hermippus, Eupolis, Antiphanes, Ameipsas, Lysippus, and Menander—“whom nature mimicked,” as the phrase was. And here, posting to obliteration, went likewise Thespis, and Pratinas, and Phrynichus—and Choerilus, whom cultured persons had long ranked with Homer. Nothing was to remain of any of these save the bare name, and even this would be known only to pedants. All these, spurred by the poet’s ageless monomania, had toiled toward, and had attained, the poet’s ageless goal—to write perfectly of beautiful happenings: and of this action’s normal byproduct, which is immortality in the mouths and minds of succeeding generations, all these were being robbed, by the circumstance that parchment is inflammable.
Here was beauty, and wit, and learning, and genius, being wasted—quite wantonly—never to be recaptured, never to be equaled again (despite the innumerable painstaking penmen destined to fret the hearts of unborn wives), and never, in the outcome, to be thought of as a very serious loss to anybody, after all. …
These book-rolls burned with great rapidity, crackling cheerily as the garnered wisdom of Cato’s octogenarian life dissolved in puffs of smoke, and the wit of Sosipater blazed for the last time in heating a pint of water. … But then in Parma long afterward Kennaston observed a monk erasing a song of Sappho’s from a parchment on which the monk meant to inscribe a feeble little Latin hymn of his own composition: in an obscure village near Alexandria Kennaston saw the only existent copy of the Mimes of Herondas crumpled up and used as packing for a mummy-case; and at Prior Park Kennaston watched Mrs. Elizabeth Barnes, then acting as cook for Dr. William Warburton, destroy in making pie-crust the unique manuscript copies of three of Shakespeare’s dramas, which had never been printed.
And—conceding Heaven to be an actual place, and attainment of its felicities to be the object of human life—Kennaston could not, after all, detect any fault in Amrou’s logic. Aesthetic considerations could, in that event, but lead to profitless time-wasting where every moment was precious.
XXV
Byproducts of Rational Endeavor
Then again Kennaston stood in a stonewalled apartment, like a cell, wherein there was a furnace and much wreckage. A contemplative friar was regarding the disorder about him with disapproval, the while he sucked at two hurt fingers.
“There can be no doubt that Old Legion conspires to hinder the great work,” he considered.
“And what is the great work, father?” Kennaston asked him.
“To find the secret of eternal life, my son. What else is lacking? Man approaches to God in all things save this, Imaginis imago, created after God’s image. But as yet, by reason of his mortality, man shudders in a world that is arrayed against him. Thus, the heavens threaten with winds and lightnings, with plague-breeding meteors and the unfriendly aspect of planets; the big seas molest with waves and inundations, stealthily drowning cities overnight, and sucking down tall navies as a child gulps sugarplums; whereas how many plants and gums and seeds bear man’s destruction in their tiny hearts! what soulless beasts of the field and of the wood are everywhere enleagued in endless feud against him, with tusks and teeth, with nails and claws and venomous stings, made sharp for man’s demolishment! Thus all struggle miserably, like hunted persons under a sentence of death that may at best be avoided for a little while. And manifestly, this is not as it should be.”
“Yet I much fear it is so ordered, father.”
The old man said testily: “I repeat, for your better comfort, there can be no doubt that Satan alone conspires to hinder the great work. No; it would be abuse of superstition to conceive, as would be possible for folk of slender courage, that the finger of heaven has today unloosed this destruction, to my bodily hurt and spiritual admonition.” Kennaston could see, though, that the speaker half believed this might be exactly what had happened. “For I am about no vaunting transgression of man’s estate; I do but seek to recover his lost heritage. You will say to me, it is written that never shall any man be one day old in the sight of God?—Yet it is likewise written that unto God a thousand years are but one day. For this period of time, then, may each man righteously demand that death delay to enact the midwife to his second birth. It advantages not to contend that even in the heyday of patriarchs few approached to such longevity; for Moses, relinquishing to silence all save the progeny of Seth, nowhere directly tells us that some of the seed of Cain did not outlive Methuselah. Yea, and our common parent, Adam, was created in the perfect age of man, which then fell not short of one hundred years, since at less antiquity did none of the antediluvian fathers beget issue, as did Adam in the same year breath was given him; and the years of Adam’s life were nine hundred and thirty; whereby it is a reasonable conceit of learned persons to compute him to have exceeded a thousand years in age, if not in duration of existence. Now, it is written that we shall all die as Adam died; and caution should not scruple to affirm this is an excellent dark saying, prophetic of that day when no man need outdo Adam in celerity to put by his flesh.”
Then Kennaston found the alchemist had been compounding nitrum of Memphis with sulphur, mixing in a little willow charcoal to make the whole more friable, and that the powder had exploded. The old man was now interested, less in the breakage, than in the horrible noise this accident had occasioned.
“The mixture might be used in court-pageants and miracle-plays,” he estimated, “to indicate the entrance of Satan, or the fall of Sodom, or Herod’s descent into the Pit, and so on. Yes, I shall thriftily sell this secret, and so get money to go on with the great work.”
Seeking to find the means of making life perpetual, he had accidentally discovered gunpowder.
Then at Valladolid an age-stricken seaman, wracked with gout, tossed in a mean bed and grumbled to bare walls. He, “the Admiral,” was neglected by King Philip, the broth was unfit for a dog’s supper, his son Diego was a laggard fool. Thus the old fellow mumbled.
Ingratitude everywhere! and had not he, “the Admiral”—“the Admiral of Mosquito Land,” as damnable street-songs miscalled him, he whimpered, in a petulant gust of self-pity—had not he found out at last a way by sea to the provinces of the Great Khan and the treasures of Cipango? Give him another fleet, and he would demonstrate what malignant fools were his enemies. He would convert the Khan from Greek heresies; or else let the Holy Inquisition be established in Cipango, the thumbscrew and the stake be fittingly utilized there ad majorem Dei gloriam—all should redound to the credit of King Philip, both temporal and celestial. And what wealth, too, a capable emissary would bring back to his Majesty—what cargoes of raw silks, of gold and precious gems, ravished from Kanbalu and Taidu, those famed marvelous cities! … But there was only ingratitude and folly everywhere, and the broth was cold. …
Thus the broken adventurer, Cristoforo Colombo, mumbled. He had doubled the world’s size and resources, in his attempts to find some defenseless nation which could be plundered with impunity; and he was dying in ignorance of what his endeavors had achieved.
And Kennaston was at Blickling Hall when King Henry read the Pope’s letter which threatened excommunication. “Nan, Nan,” the King said, “this is a sorry business.”
“Sire,” says Mistress Boleyn, saucily, “and am I not worth a little abuse?”
“You deserve some quite certainly,” he agrees; and his bright lecherous pig’s eyes twinkled, and he guffawed.
“Defy the Pope, then, sire, and marry your true love. Let us snap fingers at Gulio de Medici—”
“Faith, and not every lass can bring eleven fingers to the task,” the King put in.
She tweaked his fine gold beard, and Kennaston saw that upon her left hand there was really an extra finger.
“My own sweetheart,” says she, “if you would have my person as much at your disposal as my heart is, we must part company with Rome. Then, too, at the cost of a few Latin phrases, some foolish candle-snuffing and a little bell-ringing, you may take for your own all the fat abbey-lands in these islands, and sell them for a great deal of money,” she pointed out.
So, between lust and greed, the King was persuaded. In the upshot, “because”—as was duly set forth to his lieges—“a virtuous monarch ought to surround his throne with many peers of the worthiest of both sexes,” Mistress Anne Boleyn was created Marchioness of Pembroke, in her own right, with a reversion of the title and estates to her offspring, whether such might happen to be legitimate or not. A pension of £1,000 per annum, with gold, silver and parcel-gilt plate to the value of £1,188, was likewise awarded her: and the King, by thus piously defying Romish error, earned the abbey-lands, as well as the key of a certain bedchamber, and the eternal approbation of zealous Protestants, for thus inaugurating religious liberty.
XXVI
“Epper Si Muove”
These ironies Kennaston witnessed among many others, as he read in this or that chance-opened page from the past. Everywhere, it seemed to him, men had labored blindly, at flat odds with rationality, and had achieved everything of note by accident. Everywhere he saw reason to echo the cry of Maugis d’Aigremont—“It is very strange how affairs fall out in this world of ours, so that a man may discern no plan or purpose anywhere.”
Here was the astounding fact: the race did go forward; the race did achieve; and in every way the race grew better. Progress through irrational and astounding blunders, whose outrageousness bedwarfed the wildest clichés of romance, was what Kennaston found everywhere. All this, then, also was foreplanned, just as all happenings at Storisende had been, in his puny romance; and the puppets here, too, moved as they thought of their own volition, but really in order to serve a dénouement in which many of them had not any personal part or interest. …
And always the puppets moved toward greater efficiency and comeliness. The puppet-shifter appeared to seek at once utility and artistic self-expression. So the protoplasm—that first imperceptible pinhead of living matter—had become a fish; the fish had become a batrachian, the batrachian a reptile, the reptile a mammal; thus had the puppets continuously been reshaped, into more elaborate forms more captivating to the eye, until amiable and shatter-pated man stood erect in the world. And man, in turn, had climbed a long way from gorillaship, however far he was as yet from godhead—blindly moving always, like fish and reptile, toward unapprehended loftier goals.
But, just as men’s lives came to seem to Kennaston like many infinitesimal threads woven into the pattern of human destiny, so Kennaston grew to suspect that the existence of mankind upon earth was but an incident in the unending struggle of life to find a home in the universe. Human inhabitancy was not even a very important phase in the world’s history, perhaps; a scant score or so of centuries ago there had been no life on Earth, and presently the planet would be a silent naked frozen clod. Would this sphere then have served its real purpose of being, by having afforded foothold to life for a few aeons?
He could not tell. But Kennaston contemplated sidereal space full of such frozen worlds, where life seemed to have flourished for a while and to have been dispossessed—and full, too, of glowing suns, with their huge satellites, all slowly cooling and congealing into fitness for life’s occupancy. Life would tarry there also, he reflected; and thence also life would be evicted. For life was not a part of the universe, not a product of the universe at all perhaps, but, rather, an intruder into the cosmic machinery, which moved without any consideration of life’s needs. Like a bird striving to nest in a limitless engine, insanely building among moving wheels and cogs and pistons and pulley-bands, whose moving toward their proper and intended purposes inevitably swept away each nest before completion—so it might be that life passed from moving world to world, found transitory foothold, began to build, and was driven out.
What was it that life sought to rear?—what was the purpose of this endless endeavor, of which the hatching of an ant or the begetting of an emperor was equally a byproduct? and of which the existence of Felix Kennaston was a manifestation past conceiving in its unimportance? Toward what did life aspire?—that force which moved in Felix Kennaston, and thus made Felix Kennaston also an intruder, a temporary visitor, in the big moving soulless mechanism of earth and water and planets and suns and interlocking solar systems?
“To answer that question must be my modest attempt,” he decided. “In fine—why is a Kennaston? The query has a humorous ring undoubtedly, in so far as it is no little suggestive of the spinning mouse that is the higher the fewer—but, after all, it voices the sole question in which I personally am interested. …”
“Why is a Kennaston?” he asked himself—thus whimsically voicing the inquiry as to whether human beings were intended for any especial purpose. Most of us find it more comfortable, upon the whole, to stave off such queries—with a jest, a shrug, or a Scriptural quotation, as best suits personal taste; but Kennaston was “queer” enough to face the situation quite gravely. Here was he, the individual, very possibly placed on—at all events, infesting—a particular planet for a considerable number of years; the planet was so elaborately constructed, so richly clothed with trees and valleys and uplands and running waters and multitudinary grass-blades, and the body that housed Felix Kennaston was so intricately wrought with tiny bones and veins and sinews, with sockets and valves and levers, and little hairs which grew upon the body like grass-blades about the earth, that it seemed unreasonable to suppose this much cunning mechanism had been set agoing aimlessly: and so, he often wondered if he was not perhaps expected to devote these years of human living to some intelligible purpose?
Religion, of course, assured him that the answer to his query was written explicitly, in various books, in very dissimilar forms. But Kennaston could find little to attract him in any theory of the universe based upon direct revelations from heaven. Conceding that divinity had actually stated so-and-so, from Sinai or Delphi or Mecca, and had been reported without miscomprehension or error, there was no particular reason for presuming that divinity had spoken veraciously: and, indeed, all available analogues went to show that nothing in nature dealt with its inferiors candidly. To liken the relationship to the intercourse of a father with his children, as did all revealed religions with queer uniformity, was at best a two-edged simile, in that it suggested a possible amiability of intention combined with inevitable duplicity. The range of an earthly father’s habitual deceptions, embracing the source of life and Christmas presents on one side and his own fallibility on the other, was wide enough to make the comparison suspicious. When fathers were at their worst they punished; and when in their kindliest and most expansive moods, why, then it was—precisely—that they told their children fairy-stories. It seemed to Kennaston, for a while, that all religions ended in this blind-alley.
To exercise for an allotted period divinely-recommended qualities known as virtues, and to be rewarded therefor, by an immortal scorekeeper, appeared a rather childish performance all around. Yet every religion agreed in asserting that such was the course of human life at its noblest; and to believe matters were thus arranged indisputably satisfied an innate craving of men’s natures, as Kennaston was privileged to see for himself.
Under all theocracies the run of men proved much the same: as has been said, it was for the most part with quite ordinary people that Horvendile dealt in dreams. The Roman citizenry, for instance, he found did not devote existence, either under the Republic or the Empire, to shouting in unanimous response to metrical declamations, and worrying over their own bare legs, or in other ways conform to the best traditions of literature and the stage; nor did the Athenians corrobate their dramatists by talking perpetually of the might of Zeus or Aphrodite, any more than motormen and stockbrokers conversed continually of the Holy Ghost. Substantial people everywhere worshiped at their accustomed temple at accustomed intervals, and then put the matter out of mind, in precisely the fashion of any reputable twentieth-century churchgoer. Meanwhile they had their business-affairs, their sober chats on weather probabilities, their staid diversions (which everywhere bored them frightfully), their family jokes, their best and second-best clothes, their flirtations, their petty snobbishnesses, and their perfectly irrational faith in Omnipotence and in the general kindliness of Omnipotence—all these they had, and made play with, to round out living. Ritualistic worship everywhere seemed to be of the nature of a conscious outing, of a conscious departure from everyday life; it was generally felt that well-balanced people would not permit such jaunts to interfere with their business-matters or home-ties; but there was no doubt men did not like to live without religion and religion’s promise of a less trivial and more ordered and symmetrical existence—tomorrow.
Meanwhile, men were to worry, somehow, through today—doing as infrequent evil as they conveniently could, exercising as much bravery and honesty and benevolence as they happened to possess, through a life made up of unimportant tasks and tedious useless little habits. Men felt the routine to be niggardly: but tomorrow—as their priests and bonzes, their flamens and imauns, their medicine men and popes and rectors, were unanimous—would be quite different.
Today alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now—and it was this, precisely, that you were to disregard. Such was the burden of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind’s abhorrence of actualities; and man’s quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.
XVII
Evolution of a Vestryman
But, much as man’s religion looked to a more ordered and symmetrical existence tomorrow, just so, upon another scale, man’s daily life seemed a continuous looking-forward to a terrestrial tomorrow. Kennaston could find in the past—even he, who was privileged to view the past in its actuality, rather than through the distorting media of books and national pride—no suggestion as to what, if anything, he was expected to do while his physical life lasted, or to what, if anything, this life was a prelude. Yet that today was only a dull overture to tomorrow seemed in mankind an instinctive belief. All life everywhere, as all people spent it, was in preparation for something that was to happen tomorrow. This was as true of Antioch as Lichfield, as much the case with Charlemagne and Sardanapalus, with Agamemnon and Tiglath-Pileser, as with Felix Kennaston.
Kennaston considered his own life. … In childhood you had looked forward to being a man—a trapper of the plains or a railway engineer or a pirate, for choice, but pending that, to get through the necessity of going to school five times a week. In vacations, of course, you looked forward to school’s beginning again, because next term was to be quite different from the last, and moreover because last session, in retrospection, did not appear to have been half bad. And of course you were always wishing it would hurry up and be your birthday, or Christmas, or even Easter. … Later, with puberty, had come the desire to be a devil with the women, like the fellows in Wycherley’s plays (a cherished volume, which your schoolmates, unaccountably, did not find sufficiently “spicy”); and to become a great author, like Shakespeare; and to have plenty of money, like the Count of Monte-Cristo; and to be thrown with, and into the intimate confidence of, famous people, like the hero of a Scott novel. … Kennaston reflected that his touchstones seemed universally to have come from the library. … And Felix Kennaston had achieved his desire, to every intent, however unready posterity stood to bracket him with Casanova or Don Juan, and however many tourists still went with reverence to Stratford. For the rest, he had sufficient money and quite certainly he had met more celebrities than any other person living. Felix Kennaston reflected that, through accident’s signal favor, he had done all he had at any time very earnestly wanted to do; and that the result was always disappointing, and not as it was depicted in storybooks. … He wondered why he should again be harking back to literary standards.
Then it occurred to him that, in reality, he had always been shuffling through today—somehow and anyhow—in the belief that tomorrow the life of Felix Kennaston would be converted into a romance like those in storybooks.
The transfiguring touch was to come, it seemed, from a girl’s lips; but it had not; he kissed, and life remained uncharmed. It was to come from marriage, after which everything would be quite different; but the main innovation was that he missed the long delightful talks he used to have with Kathleen (mostly about Felix Kennaston), since as married people they appeared only to speak to each other, in passing, as it were, between the discharge of various domestic and social duties, and speaking then of having seen So-and-so, and of So-and-so’s having said this-or-that. The transfiguring touch was to come from wealth; and it had not, for all that his address was in the Social Register, and was neatly typed in at the beginning of one copy of pretty much every appeal sent broadcast by charitable organizations. It was to come from fame; and it had not, even with the nine-day wonder over Men Who Loved Alison, and with Felix Kennaston’s pictorial misrepresentation figuring in public journals, almost as prodigally as if he had murdered his wife with peculiar brutality or headed a company to sell inexpensive shoes. And, at the bottom of his heart, he was still expecting the transfiguring touch to come, some day, from something he was to obtain or do, perhaps tomorrow. … Then he had by accident found out the sigil’s power. …
Men everywhere were living as he had lived. People got their notions of life, if only at second- or third-hand, from books, precisely as he had done. Even Amrou had derived his notions as to the value of literature from a book. Men pretended laboriously that their own lives were like the purposeful and clearly motived life of book-land. In secret, the more perspicacious cherished the reflection that, anyhow, their lives would begin to be like that tomorrow. The purblind majority quite honestly believed that literature was meant to mimic human life, and that it did so. And in consequences, their love-affairs, their maxims, their passions, their ethics, their conversations, their so-called natural ties and instincts, and above all, their wickednesses, became just so many bungling plagiarisms from something they had read, in a novel or a Bible or a poem or a newspaper. People progressed from the kindergarten to the cemetery assuming that their emotion at every crisis was what books taught them was the appropriate emotion, and without noticing that it was in reality something quite different. Human life was a distorting tarnished mirror held up to literature: this much at least of Wilde’s old paradox—that life mimicked art—was indisputable. Human life, very clumsily, tried to reproduce the printed word. Human life was prompted by, and was based upon, printed words—“in the beginning was the Word,” precisely as Gospel asserted. Kennaston had it now. Living might become symmetrical, well-plotted, coherent, and rational as living was in books. This was the hope which guided human beings through today with anticipation of tomorrow.
Then he perceived that there was no such thing as symmetry anywhere in inanimate nature. …
It was Ettarre who first pointed out to him the fact, so tremendously apparent when once observed, that there was to be found nowhere in inanimate nature any approach to symmetry. It needed only a glance toward the sky the first clear night to show there was no pattern-work in the arrangement of the stars. Nor were the planets moving about the sun at speeds or distances which bore any conceivable relation to one another. It was all at loose ends. He wondered how he could possibly have been misled by pulpit platitudes into likening this circumambient anarchy to mechanism. To his finicky love of neatness the universe showed on a sudden as a vast disheveled horror. There seemed so little harmony, so faint a sense of order, back of all this infinite torrent of gyrations. Interstellar space seemed just a jumble of frozen or flaming spheres that, moving ceaselessly, appeared to avoid one another’s orbits, or to collide, by pure chance. This spate of stars, as in three monstrous freshets, might roughly serve some purpose; but there was to be found no more formal order therein than in the flow of water-drops over a mill-wheel.
And on earth there was no balancing in the distribution of land and water. Continents approached no regular shape. Mountains stood out like pimples or lay like broken welts across the habitable ground, with no symmetry of arrangement. Rivers ran anywhither, just as the haphazard slope of earth’s crevices directed; upon the map you saw quite clearly that their streams neither balanced one another nor watered the land with any pretense of equity. There was no symmetry anywhere in inanimate nature, no harmony, no equipoise of parts, no sense of form, not even a straight line. It was all at loose ends.
But living things aimed toward symmetry. In plants the notion seemed rudimentary, yet the goal was recognizable. The branches of a tree did not put out at ordered distance, nor could you discern any definite plan in their shaping: but in the leaves, at least, you detected an effort toward true balance: the two halves of a leaf, in a rough fashion, were equal. In every leaf and flower and grass-blade you saw this never entirely successful effort.
And in insects and reptiles and fish and birds and animals you saw again this effort, more creditably performed. All life seemed about the rather childish employment of producing a creature which consisted of two equal and exactly corresponding parts. It was true that in most cases this effort was foiled by an uneven distribution of color in plumage or scales or hide; but in insects and in mankind the goal, so far as went the eye, was reached. Men and insects, to the eye at least, could be divided into two equal halves. …
But even so, there was no real symmetry in man’s body save in externals. The heart was not in the center; there was no order in the jumbled viscera; the two divisions of the brain did not correspond; there was nothing on the left side to balance the troublesome vermiform appendix on the right; even the lines in the palm of one hand were unlike those which marked the other: and everywhere, in fine, there was some irrational discrepancy. Man, the highest form as yet of life, had attained at most only a teasing semblance of that crude symmetry toward which all life seemed to aim, and which inanimate nature appeared to ignore. Nowhere in the universe could Kennaston discover any instance of quite equal balance, of anything which, as vision went, could be divided into two similar halves—save only in man’s handiwork. Here, again, insects approached man’s efforts more closely than the rest of creation; for many of them builded almost as truly. But man, alone in the universe, could produce exact visual symmetry, in a cathedral or a dinner-table or a pair of scissors, just as man so curiously mimicked symmetry in his outward appearance. The circumstance was droll, and no less quaint for the fact that it was perhaps without significance. …
But Kennaston bemused himself with following out the notion that life was trying to evolve symmetry—order, proportion and true balance. Living creatures represented life’s gropings toward that goal. You saw, no doubt, a dim perception of this in the dream which sustained all human beings—that tomorrow living would begin to be symmetrical, well-plotted and coherent, like the progress of a novel. … And that was precisely what religion promised, only in more explicit terms, and with the story’s milieu fixed in romantic, rather than realistic, settings. Kennaston had here the sensation of fitting in the last bit of a puzzle. Life, yearning for symmetry, stood revealed as artist. Life strove toward the creation of art. That was all life cared about. Living things were more or less successful works of art, and were to be judged according to art’s canons alone. The universe was life’s big barren studio, which the Artist certainly had neither planned nor builded, but had, somehow, occupied, to make the best of its limitations. For Kennaston insisted that living things and inanimate nature had none of the earmarks of being by the same author. They were not in similar style, he said; thus, presupposing a sentient creator of the stars and planets, it would seem to have been in contradiction of his code to make both a man’s eyes of the same color.
It was this course of speculation which converted Kennaston to an abiding faith in Christianity, such as, our rector informs me, is deplorably rare in these lax pleasure-loving days of materialism. To believe this inconsiderable planet the peculiar center of a God’s efforts and attention had for a long while strained Kennaston’s credulity: the thing was so woefully out of proportion when you considered earth’s relative value in the universe. But now Felix Kennaston comprehended that in the insensate universe there was no proportion. The idea was unknown to the astral architect, or at best no part of his plan, if indeed there had been any premeditation or contriver concerned. Singly on our small earth—not even in the solar system of which earth made a part—was any sense of proportion evinced; and there it was apparent only in living things. Kennaston seemed to glimpse an Artist-God, with a commendable sense of form—Kennaston’s fellow craftsman—the earth as that corner of the studio wherein the God was working just now, and all life as a romance the God was inditing. …
That the plot of this romance began with Eden and reached its climax at Calvary, Kennaston was persuaded, solely and ardently, because of the surpassing beauty of the Christ-legend. No other myth compared with it from an aesthetic standpoint. He could imagine no theme more adequate to sustain a great romance than this of an Author suffering willingly for His puppets’ welfare; and mingling with His puppets in the similitude of one of them; and able to wring only contempt and pity from His puppets—since He had not endowed them with any faculties wherewith to comprehend their Creator’s nature and intent. Indeed, it was pretty much the plight which Kennaston had invented for his own puppets at Storisende, as Kennaston complacently reflected. It was the most tremendous situation imaginable; and quite certainly no Author could ever have failed to perceive, and to avail Himself of, its dramatic possibilities. To conceive that the world-romance did not center upon Calvary was to presume an intelligent and skilled Romancer blind to the basic principles of His art. His sense of pathos and of beauty and of irony could have led Him to select no other legend. And in the inconsistencies and unsolved problems, or even the apparent contradictions, of Christianity, Felix Kennaston could see only a possible error or omission on the Author’s part, such as was common to all romances. A few errata did not hamper the tale’s worth and splendor, or render it a whit less meritorious of admiration. …
And, indeed, Felix Kennaston found that his theory of the Atonement was in harmony with quite orthodox teachings. The library at Alcluid revealed bewildered and perturbed generations at guesswork. How could a God have been placated, and turned from wrath to benevolence, by witnessing the torment of His own son? What pleasure, whereby He was propitiated, could the God have derived from watching the scene on Calvary? Or was the God, as priests had taught so long (within the same moment that they proclaimed the God’s omnipotence) not wholly a free agent, because bound by laws whereby He was compelled to punish someone for humanity’s disobedience, with the staggering option of substituting an innocent victim? For if you granted that, you conceded to be higher than the God, and overruling Him, a power which made for flat injustice. Since Schleiermacher’s time, at least, as Kennaston discovered, there had been reasoning creatures to contest the possibility of such discrepant assumptions, and a dynasty of teachers who adhered to the “subjective” theory of propitiation. For these considered that Christ came, not primarily to be crucified, but by his life to reveal to men the nature of their God. The crucifixion was an incidental, almost inevitable, result of human obtuseness; and was pregnant with value only in that thereby the full extent of divine love was perfectly evinced. The personality, rather than the sufferings, of the Nazarene had thus satisfied, not any demand or attribute of the God by acting upon it from without, “but God’s total nature by revealing it and realizing it in humanity.” The God, in short, had satisfied Himself “by revealing and expressing His nature” in the material universe, precisely as lesser artists got relief from the worries of existence by depicting themselves in their books. Just as poets express themselves communicatively in words, so here the Author had expressed Himself in flesh. Such, in effect, had been the teaching of Karl Immanuel Nitzsch, of Richard Rothe, and of von Hofman, in Germany; of Auguste Bouvier in Geneva; of Alexandre Vinet, and of Auguste Sabatier, in France; of Frederick Denison Maurice, and John Caird, and Benjamin Jowett, in England; and in America of Horace Bushnell, and Elisha Mulford, and William Newton Clarke. The list was imposing: and Kennaston rejoiced to find himself at one with so many reputable theologians. For all these scholars had dimly divined, with whatever variousness they worded the belief, that the God’s satisfaction sprang, in reality, from the consciousness of having at last done a fine piece of artistic work, in creating the character of Christ. …
So, as nearly as one can phrase the matter, it was really as a proof of confidence in his Author’s literary abilities that Felix Kennaston was presently confirmed at our little country church, to the delight of his wife and the approbation of his neighbors. It was felt to be eminently suitable: that such a quiet well-to-do man of his years and station should not be a communicant was generally, indeed, adjudged unnatural. And when William T. Vartrey (of the Lichfield Iron Works) was gathered to his grandfathers, in the following autumn, Mr. Kennaston was rather as a matter of course elected to succeed him in the vestry. And Kennaston was unfeignedly pleased and flattered.
To the discerning it is easy enough to detect in all this fantastic theorizing the man’s obsessing love of ordered beauty and his abhorrence of slovenliness—of shapelessness—which make his writings so admirable, here alluring him to believe that such ideals must also be cherished by Omnipotence. This poet loved his formal art to the extent of coming to assume it was the purpose and the origin of terrestrial life. Life seemed to him, in short, a God’s chosen form of artistic self-expression; and as a confrère, Kennaston found the result praiseworthy. Even inanimate nature, he sometimes thought, might be a divine experiment in vers libre. … But neither the justice of Kennaston’s airdrawn surmises, nor their wildness, matters; the point is that they made of him a vestryman who in appearance and speech and actions, and in essential beliefs, differed not at all from his associates in office, who had comfortably acquired their standards by hearsay. So that the moral of his theorizing should be no less obvious than salutary.
XXVIII
The Shallowest Sort of Mysticism
Through such airdrawn surmises, then, as I have just recorded did Felix Kennaston enter at last into that belief which is man’s noblest heritage. …
“Or I would put it, rather, that belief is man’s métier,” Kennaston once corrected me—“for the sufficient reason that man has nothing to do with certainties. He cannot ever get in direct touch with reality. Such is the immutable law, the true cream of the jest. Felix Kennaston, so long as he wears the fleshly body of Felix Kennaston, is conscious only of various tiny disturbances in his brain-cells, which entertain and interest him, but cannot pretend to probe to the roots of reality about anything. By the nature of my mental organs, it is the sensation the thing arouses in my brain of which I am aware, and never of the thing itself. I am conscious only of appearances. They may all be illusory. I cannot ever tell. But it is my human privilege to believe whatever I may elect.”
“Yet, my dear sir,” as I pointed out, “is not this hairsplitting, really, a reduction of human life to the very shallowest sort of mysticism, that gets you nowhere?”
“Now again, Harrowby, you are falling into the inveterate race-delusion that man is intended to get somewhere. I do not see that the notion rests on any readily apparent basis. It is at any rate a working hypothesis that in the world-romance man, being cast for the part of fool, quite obviously best furthers the dénouement’s success by wearing his motley bravely. … There was a fool in my own romance, a character of no great importance; yet it was an essential incident in the story that he should irresponsibly mislay the King’s letter, and Sir Guiron thus be forced to seek service under Duke Florestan. Perhaps, in similar fashion, it is here necessary to the Author’s scheme that man must simply go on striving to gain a little money, food, and sleep, a trinket or two, some moments of laughter, and at the last a decent bed to die in. For it may well be that man’s allotted part calls for just these actions, to round out the drama artistically. Yes; it is quite conceivable that, much as I shaped events at Storisende, so here the Author aims toward making an aesthetic masterpiece of His puppet-play as a whole, rather than at ending everything with a transformation scene such as, when we were younger, used so satisfactorily to close The Black Crook and The Devil’s Auction. For it may well be that the Author has, after all, more in common with Aeschylus, say, than with Mr. Charles H. Yale. … So I must train my mind to be contented with appearances, whether they be true or not—and reserving always a permissible preference for pleasant delusions. Being mortal, I am able to contrive no thriftier bargain.”
“Being mortal,” I amended, “we pick our recreations to suit our tastes. Now I, for instance—as is, indeed, a matter of some notoriety and derision here in Lichfield—am interested in what people loosely speak of as ‘the occult.’ I don’t endeavor to persuade defunct poetesses to dictate via the Ouija board effusions which give little encouragement as to the present state of culture in Paradise, or to induce Napoleon to leave wherever he is and devote his energies to tipping a table for me, you understand. … But I quite fixedly believe the Wardens of Earth sometimes unbar strange windows, that face on other worlds than ours. And some of us, I think, once in a while get a peep through these windows. But we are not permitted to get a long peep, or an unobstructed peep, nor, very certainly, are we permitted to see all there is—out yonder. The fatal fault, sir, of your theorizing is that it is too complete. It aims to throw light upon the universe, and therefore is self-evidently moonshine. The Wardens of Earth do not desire that we should understand the universe, Mr. Kennaston; it is part of Their appointed task to insure that we never do; and because of Their efficiency every notion that any man, dead, living, or unborn, might form as to the universe will necessarily prove wrong. So, if for no other reason, I must decline to think of you and me as characters in a romance.”