BookV

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Book

V

It was still hot in Washington, that September,

Hot in the city, hot in the White House rooms,

Desiccate heat, dry as a palmleaf fan,

That makes hot men tuck cotton handkerchiefs

Between their collars and their sweaty necks,

And Northern girls look limp at half-past-four,

Waiting the first cool breath that will not come

For hours yet.

The sentinel on post

Clicks back and forth, stuffed in his sweltering coat,

And dreams about brown bottles of cold beer

Deep in a cellar.

In the crowded Bureaus

The pens move slow, the damp clerks watch the clock.

Women in houses take their corsets off

And stifle in loose gowns.

They could lie down

But when they touch the bed, the bed feels hot,

And there are things to do.

The men will want

Hot food when they come back from work.

They sigh

And turn, with dragging feet, to the hot kitchens.

Sometimes they pause, and push a window up

To feel the blunt, dry buffet of the heat

Strike in the face and hear the locust-cry

Of shrilling newsboy-voices down the street,

“News from the army⁠—extra⁠—ter‑ble battle⁠—

Terr‑r‑ble vic’try⁠—ter‑r‑ble defeat⁠—

Lee’s army trapped invading Maryland⁠—

McClellan⁠—Sharpsburg⁠—fightin’⁠—news from the front⁠—”

The women at the windows sigh and wonder

“I ought to buy a paper⁠—No, I’ll wait

Till Tom gets home⁠—I wonder if it’s true⁠—

Terrible victory⁠—terrible defeat⁠—

They’re always saying that⁠—when Tom gets home

He’ll have some news⁠—I wonder if the army⁠—

No, it’s too hot to buy a paper now⁠—”

A hot, spare day of waiting languidly

For contradictory bits of dubious news.

It was a little cooler, three miles out,

Where the tall trees shaded the Soldiers’ Home.

The lank man, Abraham Lincoln, found it so,

Glad for it, doubtless, though his cavernous eyes

Had stared all day into a distant fog

Trying to pierce it.

“General McClellan

Is now in touch with Lee in front of Sharpsburg

And will attack as soon as the fog clears.”

It’s cleared by now. They must be fighting now.

We can’t expect much from the first reports.

Stanton and Halleck think they’re pretty good

But you can’t tell. Nobody here can tell.

We’re all too far away.

You get sometimes

Feeling as if you heard the guns yourself

Here in the room and felt them shake the house

When you keep waiting for the news all day.

I wish we’d get some news.

Bull Run was first.

We got the news of Bull Run soon enough.

First that we’d won, hands down, which was a lie,

And then the truth.

It may be that today.

I told McClellan not to let them go,

Destroy them if he could⁠—but you can’t tell.

He’s a good man in lots of different ways,

But he can’t seem to finish what he starts

And then, he’s jealous, like the rest of them,

Lets Pope get beaten, wanted him to fail,

Because he don’t like Pope.

I put him back

Into command. What else was there to do?

Nobody else could lick those troops in shape.

But, if he wins, and lets Lee get away,

I’m done with him.

Bull Run⁠—the Seven Days⁠—

Bull Run again⁠—and eighteen months of war⁠—

And still no end to it.

What is God’s will?

They come to me and talk about God’s will

In righteous deputations and platoons,

Day after day, laymen and ministers.

They write me Prayers From Twenty Million Souls

Defining me God’s will and Horace Greeley’s.

God’s will is General This and Senator That,

God’s will is those poor colored fellows’ will,

It is the will of the Chicago churches,

It is this man’s and his worst enemy’s.

But all of them are sure they know God’s will.

I am the only man who does not know it.

And, yet, if it is probable that God

Should, and so very clearly, state His will

To others, on a point of my own duty,

It might be thought He would reveal it me

Directly, more especially as I

So earnestly desire to know His will.

The will of God prevails. No doubt, no doubt⁠—

Yet, in great contests, each side claims to act

In strict accordance with the will of God.

Both may, one must be wrong.

God could have saved

This Union or destroyed it without war

If He so wished. And yet this war began,

And, once begun, goes on, though He could give

Victory, at any time, to either side.

It is unfathomable. Yet I know

This, and this only. While I live and breathe,

I mean to save the Union if I can,

And by whatever means my hands can find

Under the Constitution.

If God reads

The hearts of men as clearly as He must

To be Himself, then He can read in mine

And has, for twenty years, the old, scarred wish

That the last slave should be forever free

Here, in this country.

I do not go back

From that scarred wish and have not.

But I put

The Union, first and last, before the slave.

If freeing slaves will bring the Union back

Then I will free them; if by freeing some

And leaving some enslaved I help my cause,

I will do that⁠—but should such freedom mean

The wreckage of the Union that I serve

I would not free a slave.

O Will of God,

I am a patient man, and I can wait

Like an old gunflint buried in the ground

While the slow years pile up like moldering leaves

Above me, underneath the rake of Time,

And turn, in time, to the dark, fruitful mold

That smells of Sangamon apples, till at last

There’s no sleep left there, and the steel event

Descends to strike the live coal out of me

And light the powder that was always there.

That is my only virtue as I see it,

Ability to wait and hold my own

And keep my own resolves once they are made

In spite of what the smarter people say.

I can’t be smart the way that they are smart.

I’ve known that since I was an ugly child.

It teaches you⁠—to be an ugly child.

It teaches you⁠—to lose a thing you love.

It sticks your roots down into Sangamon ground

And makes you grow when you don’t want to grow

And makes you tough enough to wait life out,

Wait like the fields, under the rain and snow.

I have not thought for years of that lost grave

That was my first hard lesson in the queer

Thing between men and women we call love.

But when I think of it, and when I hear

The rain and snow fall on it, as they must,

It fills me with unutterable grief.

We’ve come a good long way, my hat and I,

Since then, a pretty lengthy piece of road,

Uphill and down but mostly with a pack.

Years of law-business, years of cracking jokes,

And watching Billy Herndon do his best

To make me out, which seemed to be a job;

Years trying how to learn to handle men,

Which can be done, if you’ve got heart enough,

And how to deal with women or a woman

And that’s about the hardest task I know.

For, when you get a man, you’ve got the man

Like a good big axehandle in your fist,

But you can’t catch a woman like an axe.

She’ll run like mercury between your hands

And leave you wondering which road she went,

The minute when you thought you knew her ways.

I understand the uses of the earth,

And I have burned my hands at certain fires

Often enough to know a use for fire,

But when the genius of the water moves,

And that’s the woman’s genius, I’m at sea

In every sense and meaning of the word,

With nothing but old patience for my chart,

And patience doesn’t always please a woman.

Bright streams of water, watering the world,

Deep seas of water that all men must sail

Or rest half-men and fill the narrow graves,

When will I understand or comprehend

Your salt, sweet taste, so different from the taste

Of Sangamon russets, weighing down the bough?

You can live with the water twenty years

And never understand it like the earth

But that’s the lesson I can’t seem to learn.

“Abraham Lincoln, his hand and pen,

He will be good, but God knows when.”

He will be wise, but God knows when.

It doesn’t matter. If I had some news⁠—

News from that fog⁠—

I’ll get the hypo, sure,

Unless I watch myself, waiting for news.

I can’t afford to get the hypo now,

I’ve got too much to do.

Political years,

Housekeeping years of marrying and begetting

And losing, too, the children and the town,

The wife, the house, the life, the joy and grief,

The profound wonder still behind it all.

I had a friend who married and was happy.

But something haunted him that haunted me

Before he did, till he could hardly tell

What his own mind was, for the brooding veil

And immaterial horror of the soul

Which colors the whole world for men like that.

I do not know from whence that horror comes

Or why it hangs between us and the sun

For some few men, at certain times and days,

But I have known it closer than my flesh,

Got up with it, lain down and walked with it,

Scotched it awhile, but never killed it quite,

And yet lived on.

I wrote him good advice,

The way you do, and told him this, for part,

“Again you fear that that Elysium

Of which you’ve dreamed so much is not to be.

Well, I dare swear it will not be the fault

Of that same black-eyed Fanny, now your wife.

And I have now no doubt that you and I,

To our particular misfortune, dream

Dreams of Elysium far exceeding all

That any earthly thing can realize.”

I wrote that more than twenty years ago,

At thirty-three, and now I’m fifty-three,

And the slow days have brought me up at last

Through water, earth and fire, to where I stand,

To where I stand⁠—and no Elysiums still.

No, no Elysiums⁠—for that personal dream

I dreamt of for myself and in my youth

Has been abolished by the falling sledge

Of chance and an ambition so fulfilled

That the fulfillment killed its personal part.

My old ambition was an iron ring

Loose-hooped around the live trunk of a tree.

If the tree grows till bark and iron touch

And then stops growing, ring and tree are matched

And the fulfillment fits.

But, if by some

Unlikely chance, the growing still keeps on,

The tree must burst the binding-ring or die.

I have not once controlled the circumstances.

They have controlled me. But with that control

They made me grow or die. And I have grown.

The iron ring is burst.

Three elements,

Earth, water and fire. I have passed through them all,

Still to find no Elysium for my hands,

Still to find no Elysium but growth,

And the slow will to grow to match my task.

Three elements. I have not sought the fourth

Deeply, till now⁠—the element of air,

The everlasting element of God,

Who must be there in spite of all we see,

Who must be there in spite of all we bear,

Who must exist where all Elysiums

Are less than shadows of a hunter’s fire

Lighted at night to scare a wolf away.

I know that wolf⁠—his scars are in my hide

And no Elysiums can rub them out.

Therefore at last, I lift my hands to You

Who Were and Are and Must Be, if our world

Is anything but a lost ironclad

Shipped with a crew of fools and mutineers

To drift between the cold forts of the stars.

I’ve never found a church that I could join

Although I’ve prayed in churches in my time

And listened to all sorts of ministers

Well, they were good men, most of them, and yet⁠—

The thing behind the words⁠—it’s hard to find.

I used to think it wasn’t there at all

Couldn’t be there. I cannot say that, now.

And now I pray to You and You alone.

Teach me to know Your will. Teach me to read

Your difficult purpose here, which must be plain

If I had eyes to see it. Make me just.

There was a man I knew near Pigeon Creek

Who kept a kennel full of hunting dogs,

Young dogs and old, smart hounds and silly hounds.

He’d sell the young ones every now and then,

Smart as they were and slick as they could run.

But the one dog he’d never sell or lend

Was an old half-deaf foolish-looking hound

You wouldn’t think had sense to scratch a flea

Unless the flea were old and sickly too.

Most days he used to lie beside the stove

Or sleeping in a piece of sun outside.

Folks used to plague the man about that dog

And he’d agree to everything they said,

“No⁠—he ain’t much on looks⁠—or much on speed⁠—

A young dog can outrun him any time,

Outlook him and outeat him and outleap him,

But, Mister, that dog’s hell on a cold scent

And, once he gets his teeth in what he’s after,

He don’t let go until he knows he’s dead.”

I am that old, deaf hunting-dog, O Lord,

And the world’s kennel holds ten thousand hounds

Smarter and faster and with finer coats

To hunt your hidden purpose up the wind

And bell upon the trace you leave behind.

But, when even they fail and lose the scent,

I will keep on because I must keep on

Until You utterly reveal Yourself

And sink my teeth in justice soon or late.

There is no more to ask of earth or fire

And water only runs between my hands,

But in the air, I’ll look, in the blue air,

The old dog, muzzle down to the cold scent,

Day after day, until the tired years

Crackle beneath his feet like broken sticks

And the last barren bush consumes with peace.

I should have tried the course with younger legs,

This hunting-ground is stiff enough to pull

The metal heart out of a dog of steel;

I should have started back at Pigeon Creek

From scratch, not forty years behind the mark.

But you can’t change yourself, and, if you could,

You might fetch the wrong jack-knife in the swap.

It’s up to you to whittle what you can

With what you’ve got⁠—and what I am, I am

For what it’s worth, hypo and legs and all.

I can’t complain. I’m ready to admit

You could have made a better-looking dog

From the same raw material, no doubt,

But, since You didn’t, this’ll have to do.

Therefore I utterly lift up my hands

To You, and here and now beseech Your aid.

I have held back when others tugged me on,

I have gone on when others pulled me back

Striving to read Your will, striving to find

The justice and expedience of this case,

Hunting an arrow down the chilly airs

Until my eyes are blind with the great wind

And my heart sick with running after peace.

And now, I stand and tremble on the last

Edge of the last blue cliff, a hound beat out,

Tail down and belly flattened to the ground,

My lungs are breathless and my legs are whipped,

Everything in me’s whipped except my will.

I can’t go on. And yet, I must go on.

I will say this. Two months ago I read

My proclamation setting these men free

To Seward and the rest. I told them then

I was not calling on them for advice

But to hear something that I meant to do.

We talked about it. Most of them approved

The thing, if not the time. Then Seward said

Something I hadn’t thought of, “I approve

The proclamation⁠—but, if issued now

With our defeats in everybody’s mouth

It may be viewed as a last shriek for help

From an exhausted, beaten government.

Put it aside until a victory comes,

Then issue it with victory.”

He was right,

I put the thing aside⁠—and ever since

There has been nothing for us but defeat,

Up to this battle now⁠—and still no news.

If I had eyes to look to Maryland!

If I could move that battle with my hands!

No, it don’t work. I’m not a general.

All I can do is trust the men who are.

I’m not a general, but I promise this,

Here at the end of every ounce of strength

That I can muster, here in the dark pit

Of ignorance that is not quite despair

And doubt that does but must not break the mind!

The pit I have inhabited so long

At various times and seasons, that my soul

Has taken color in its very grains

From the blind darkness, from the lonely cave

That never hears a footstep but my own

Nor ever will, while I’m a man alive

To keep my prison locked from visitors.

What if I heard another footstep there,

What if, some day⁠—there is no one but God,

No one but God who could descend that stair

And ring his heavy footfalls on the stone.

And if He came, what would we say to Him?

That prison is ourselves that we have built,

And, being so, its loneliness is just,

And, being so, its loneliness endures.

But, if another came,

What would we say?

What can the blind say, given back their eyes?

No, it must be as it has always been.

We are all prisoners in that degree

And will remain so, but I think I know

This⁠—God is not a jailor.⁠ ⁠…

And I make

A promise now to You and to myself.

If this last battle is a victory

And they can drive the Rebel army back

From Maryland, back over the Potomac,

My proclamation shall go out at last

To set those other prisoners and slaves

From this next year, then and forever free.

So much for my will. Show me what is Yours!

That must be news, those footsteps in the hall,

Good news, or else they wouldn’t come so fast.

What is it, now? Yes, yes, I’m glad of that.

I’m very glad. There’s no mistake this time?

We have the best of them? They’re in retreat?

This is a great day, Stanton⁠ ⁠…

… If McClellan

Can only follow up the victory now!

Lord, I will keep my promise and go on,

Your will, in much, still being dark to me,

But, in this one thing, as I see it, plain.

And yet⁠—if Lee slips from our hands again

As he well may from all those last reports

And the war still goes on⁠—and still no end⁠—

Even after this Antietam⁠—not for years⁠—

I cannot read it but I will go on,

Old dog, old dog, but settled to the scent

And with fresh breath now from this breathing space,

Almighty God.

At best we never seem

To know You wholly, but there’s something left,

A strange, last courage.

We can fail and fail,

But, deep against the failure, something wars,

Something goes forward, something lights a match,

Something gets up from Sangamon County ground

Armed with a bitten and a blunted axe

And after twenty thousand wasted strokes

Brings the tall hemlock crashing to the ground.

Spade saw the yellow river rolling ahead

His sore, cracked lips curled back in a death’s head grin

And his empty belly ceased to stick to his sides.

He sat on the bank a minute to rest his legs

And catch his breath. He had lived for the last three days

On a yam, two ears of horse-corn and the lame rabbit

That couldn’t run away when he threw the stick.

He was still a big man but the ribs stuck into his skin

And the hard, dry muscles were wasted to leather thongs.

“Boy, I wisht we had a good meal,” he thought with a dull

Fatigue. “Dat’s Freedom’s lan’ ovah dere fer sho’,

But how we gwine to swim it without a good meal?

I wisht we had even a spoonful of good hot pot-licker

Or a smidgin’ of barbecued shote.

Dat river’s cold.

Colder’n Jordan. I wisht we had a good meal.”

He went down to the river and tested it with his hand.

The cold jumped up his arm and into his heart,

Sharp as the toothache. His mouth wried up in a queer

Grimace. He felt like crying. “I’se tired,” he said.

“Flow easy, river,” he said.

Then he tumbled in.

The hard shock of the plunge took his breath away.

So stinging at first that his arms and legs moved fast,

But then the cold crept into his creaking bones

And he rolled wild eyes.

“Oh, God,” he thought as he struggled,

“I’se weak as a cat. I ust to be a strong man.”

The yellow flood sucked round him, pulling him down,

The yellow foam had a taste like death in his mouth,

“We ought to of had a good meal,” he thought with a weak

Wonder, as he fought weakly. “A good hot meal.

Dis current, she’s too strong for a hungry mouth.

We’se done our best, but she fights like a angel would

Like wrestlin’ with a death-angel.”

He choked and sank

To come up gasping and staring with bloodshot eyes.

His brain had a last, clear flash. “You’re drowned,” said the brain.

Then it stopped working.

But the black, thrashing hands

Caught hold of something solid and hard and rough

And hung to it with a last exhausted grip.

—He had been fighting an angel for seven nights

And now he hung by his hands to the angel’s neck,

Lost in an iron darkness of beating wings,

If he once let go, the angel would push him off

And touch him across the loins with a stony hand

In the last death-trick of the wrestle.

He moaned a little.

The blackness began to lighten. He saw the river

Rolling and rolling. He was clutched to a log

Like a treetoad set afloat on a chip of wood,

And the log and he were rushing downstream together,

But the current pulled them both toward the freedom side.

He hunched up a little higher. An eddy took

The log and him and spun them both like a top

While he prayed and sickened.

Then they were out of the eddy

And drifting along more slowly, straight for the shore.

He hauled himself up the bank with enormous care,

Vomited and lay down.

When he could arise

He looked at his hands. They were still hooked into a curve.

It took quite a time to straighten them back again.

He said a prayer as he tried to dry his clothes,

Then he looked for a stone and threw it into the river.

“You’se a mean and hungry river,” he said. “You is.

Heah’s a present for you. I hope it busts up your teef.

Heah’s a present fum Mistah Spade.”

He felt better then,

But his belly started to ache. “Act patient,” he said,

Rubbing it gently, “We’se loose in Freedom’s land,

Crossed old Jordan⁠—bound to get vittles now.”

He started out for the town. The town wasn’t far

But he had to go slow. Sometimes he fell on the way.

The last time he fell was in front of a little yard

With a white, well-painted fence. A woman came out.

“Get along,” she said. “You can’t get sick around here.

I’m tired of you nigger tramps. You’re all of you thieves.”

Spade rose and said something vague about swimming rivers

And vittles. She stamped her foot. “Get along!” she said,

“Get along or I’ll call the dog and⁠—”

Spade got along.

The next house, the dog was barking out in the yard,

He went by as fast as he could, but when he looked back

A man had come out with a hostile stick in his hand.

Spade shook his head. “Freedom’s land,” he thought to himself,

“They’s some mighty quick-actin’ people in Freedom’s land,

Some mighty rash-tempered dogs.”

He swayed as he walked.

Here was another house. He looked for the dog

With fright in his eyes. Then a swimming qualm came over him,

A deathly faintness. His hands went out to the fence.

He gripped two palings, hung, and stared at his shoes.

Somebody was talking to him. He tried to move on

But his legs wouldn’t walk. The voice was a woman’s voice.

She’d be calling the dog in a minute. He shivered hard.

“Excuse me ma’am, but I’se feelin’ poorly,” he said.

“I just crossed over⁠—I’ll go as soon as I kin.”

A man’s voice now. They were taking him under the arms.

He didn’t care what they did. He let himself walk.

Then he was sitting up in a bentwood chair

In a tidy kitchen that smelt of frying and ham;

The thick, good smell made him strangely sick at first

But it soon passed off. They fed him little by little

Till at last he could tell his tale and ask about them.

They were churchgoing people and kind to runaway slaves.

She wore a blue dress. They had two sons in the war.

That was all that he knew and all that he ever knew.

But they let him sleep in the garret and gave him some shoes

And fifty cents when he left.

He wanted to stay

But times were bad and they couldn’t afford to keep him.

The town was tired of runaway negroes now.

All the same, when he left, he walked with a different step.

He went down town. He was free. He was Mister Spade.

The President had written a letter about it

And the mule and the coal-black gal might come any day.

He hummed a tuneless whistle between his teeth

And fished a piece of paper out of his pants,

They’d written him down a boss’s name and address

But he’d have to get somebody to read it again.

He approached a group of three white men on a corner

Holding the paper.

“ ’Scuse me, boss, can you tell me⁠—”

The white men looked at him with hard, vacant eyes.

At last one of them took the paper. “Oh, Hell,” he said,

Spitting, and gave Spade a stare. Then he seemed to think

Of something funny. He nudged the other two men.

“Listen, nigger,” he said. “You want Mr. Braid.

You’ll find him two blocks down at the Marshal’s office,

Tell him Mr. Clarke sent you there⁠—Mr. William Clarke⁠—

He’ll fix you up all right.”

The other men grinned,

Adding directions. Spade thanked them and went away.

He heard them laugh as he went.

Another man took him

To a red-faced person who sat in a tilted chair,

Reading a paper, his feet cocked up on his desk.

He looked at Spade and his feet came down with a slam.

“Take that God damn smile off,” he said. “Who let you come in?

You contraband niggers think that you own this town

And that all you’ve got to do is cross over here

For people to feed you free the rest of your lives.

Well it don’t go down with me⁠—just understand that.”

Spade brought out his paper, dumbly. The man looked at it.

“Hell, this ain’t for me,” he said.

Spade started to go.

“Come back here, nigger,” ordered the red-faced man.

“Hey, Mike!” he yelled “Here’s another of Lincoln’s pets.

Send him out with the rest of the gang.”

“But, boss⁠—” said Spade.

“Don’t get lippy with me,” said the man, “Mike, take him along.”

The pimply boy named Mike jerked a sallow thumb.

“Come on, black beauty,” he said. “We got you a job.”

Spade followed him, dazed.

When they were out in the street

The boy turned to him. “Now, nigger, watch out,” he said,

Patting a heavy pistol swung at his belt,

With puppy-fierceness, “You don’t get away from me.

I’m a special deputy, see?”

“All right, boss,” said Spade.

“I ain’t aimin’ to get away from nobody now,

I just aims to work till I gets myself a good mule.”

The boy laughed briefly. The conversation dropped.

They walked out of the town till they came to a torn-up road

Where a gang of negroes was working.

“Say, boss⁠—” said Spade.

The boy cut him off. “Hey, Jerry,” he called to the foreman,

“Here’s another one.”

The foreman looked up and spat.

“Judas!” he said, “Can’t they keep the bastards at home?

I’d put a gun on that river if I was Braid.

Well, come along, nig, get a move on and find a shovel.

Don’t stand lookin’ at me all day.”

The boy went away.

Spade found a shovel and started work on the road.

The foreman watched him awhile with sarcastic eyes,

Spade saw that he, too, wore a pistol.

“Christ,” said the foreman,

Disgustedly, “Try and put some guts in it there.

You’re big enough. That shovel’ll cost five dollars.

Remember that⁠—it comes out of your first week’s pay.

You’re a free nigger now.”

He chuckled. Spade didn’t answer

And, after a while, the foreman moved away.

Spade turned to the gingerskinned negro who worked beside him.

“You fum de Souf?” he mouthed at him.

Ginger nodded.

“I been here a month now. They fotched me here the first day.

Got any money?”

“Nuthin’ but fifty cents.”

“You better give it to him,” said Ginger, stealing

A glance at the foreman. “He’ll treat you bad if you don’t.

“He’s a cranky man.”

Spade’s heart sank into his boots.

“Don’t we uns get paid? We ain’t none of us slaves no more,

The President said so. Why we wuhkin’ like dis?”

Ginger snickered. “Sho’ we uns gets paid,” he said,

“But we got to buy our stuff at de company sto’

And he sells his old shovels a dozen times what dey’s wuth.

I only been here a month but I owes twelve dollars.

Dey ain’t no way to pay it except by wuhk,

And de more you wuhk de more you owe at the sto’.

I kain’t figure it out exactly but it’s dat way.”

Spade worked for a while, revolving these things in his mind.

“I reckoned I sho’ was gwine to be sassy and free

When I swum dat river,” he said.

Ginger grinned like a monkey,

“Swing your shubbel, boy, and forget what you ain’t.

You mought be out on de chain-gang, bustin’ up rocks,

Or agin, you mought be enlisted.”

“Huh?” said Spade.

“Sho’, dey’s gwine to enlist us all when we finish dis road.

All excep’ me. I got bad sight in my eyes

And dey knows about it.”

“Dey kain’t enlist me,” said Spade.

“I ain’t honin’ to go an’ fight in no white-folks war,

I ain’t bust loose into Freedom’s land fer dat,

All I want is a chance to git me a gal and a mule.

If I’se free, how kin dey enlist me, lessen I want?”

“You watch ’em,” said Ginger. They worked on for a time.

The foreman stood on the bank and watched them work,

Now and then he drank from a bottle.

Spade felt hungry.

Autumn is filling his harvest-bins

With red and yellow grain,

Fire begins and frost begins

And the floors are cold again.

Summer went when the crop was sold,

Summer is piled away,

Dry as a faded marigold

In the dry, long-gathered hay.

It is time to walk to the cider-mill

Through air like apple wine

And watch the moon rise over the hill,

Stinging and hard and fine.

It is time to cover your seed-pods deep

And let them wait and be warm,

It is time to sleep the heavy sleep

That does not wake for the storm.

Winter walks from the green, streaked West

With a bag of Northern Spies,

The skins are red as a robin’s breast,

The honey chill as the skies.

Melora Vilas walked in the woods that autumn

And heard the dry leaves crackle under her feet,

Feeling, below the leaves, the blunt heavy earth.

“It’s getting-in time,” she thought. “It’s getting-in time,

Time to put things in barns and sit by the stove,

Time to watch the long snow and remember your lover.

“He isn’t dead. I know that he isn’t dead.

Maybe they’ve changed his body into a tree,

Maybe they’ve changed his body into a cloud

Or something that sleeps through the Winter.

But I’ll remember.

I’ll sleep through the Winter, too. We all sleep then

And when the Spring freshet drums in the narrow brooks

And fills them with a fresh water, they’ll let him come

Out of the cloud and the tree and the Winter-sleep.

The Winter falls and we lie like beleaguered stones

In the black, cramped ground.

And then you wake in the morning

And the air’s got soft and you plant the narrow-edged seeds,

They grow all Summer and now we’ve put them in barns

To sleep again for a while.

I am the seed and the husk. I have sown and reaped.

My heart is a barn full of grain that my work has harvested.

My body holds the ripe grain. I can wait my time.”

She walked on farther and came to the lip of the spring,

The brown leaves drifted the water. She watched them drift.

“I am satisfied,” she thought, “I am satisfied.

I can wait my time in spite of Mom being sad

And Pop looking fierce and sad when he sees me walk

So heavy and knows I’ll have to walk heavier still

Before my time comes. I’m sorry to make them sad,

I’m sorry I did a bad thing if it was a bad thing;

But I’m satisfied.

We cut the heart on the tree.

I’ve got my half of the dime and he’s got his,

He’ll come back when Winter’s over or else I’ll find him,

When you can push up the windows, when the new colts

Come out in the Spring, when the snake sheds his winter coat,

When the old, shed coat of Winter lies on the ground

Grey as wasp-paper under the green, slow rain,

When the big barn door rolls open.

I was worried to death at first and I couldn’t tell.

But as soon as I knew what it was⁠—it was different then⁠—

It made things all right.

I can’t tell why it did that.”

She awkwardly stooped and put her hand on the ground,

Under the brittle leaves the soil was alive,

Torn with its harvest, turned on its side toward sleep,

But stripped for battle, too, for the unending

Battle with Winters till the Spring is born

Like a tight green leaf uncurling, so slightly, so gently,

Out of the husk of ice and the blank, white snows.

The wind moved over it, blowing the leaves away,

Leaving the bare, indomitable breast.

She felt a wind move over her heavy body,

Stripping it clean for war.

She felt the blind-featured

Mystery move, the harmonics of the quick grain,

The battle and the awakening for battle,

And the salt taste of peace.

A flight of geese passed by in a narrow V,

Honking their cry.

That cry was stuck in her heart

Like a bright knife.

She could have laughed or wept

Because of that cry flung down from a moving wing,

But she stood silent.

She had touched the life in the ground.

Love came by from the riversmoke,

When the leaves were fresh on the tree,

But I cut my heart on the blackjack oak

Before they fell on me.

The leaves are green in the early Spring,

They are brown as linsey now,

I did not ask for a wedding-ring

From the wind in the bending bough.

Fall lightly, lightly, leaves of the wild,

Fall lightly on my care,

I am not the first to go with child

Because of the blowing air.

I am not the first nor yet the last

To watch a goosefeather sky,

And wonder what will come of the blast

And the name to call it by.

Snow down, snow down, you whitefeather bird,

Snow down, you winter storm,

Where the good girls sleep with a gospel word

To keep their honor warm.

The good girls sleep in their modesty,

The bad girls sleep in their shame,

But I must sleep in the hollow tree

Till my child can have a name.

I will not ask for the wheel and thread

To spin the labor plain,

Or the scissors hidden under the bed

To cut the bearing-pain.

I will not ask for the prayer in church

Or the preacher saying the prayer,

But I will ask the shivering birch

To hold its arms in the air.

Cold and cold and cold again,

Cold in the blackjack limb

The winds of the sky for his sponsor-men

And a bird to christen him.

Now listen to me, you Tennessee corn,

And listen to my word,

This is the first child ever born

That was christened by a bird.

He’s going to act like a hound let loose

When he comes from the blackjack tree,

And he’s going to walk in proud shoes

All over Tennessee.

I’ll feed him milk out of my own breast

And call him Whistling Jack.

And his dad’ll bring him a partridge nest,

As soon as his dad comes back.

John Brown’s raid has gone forward, the definite thing is done,

Not as we see it done when we read the books,

A clear light burning suddenly in the sky,

But dimly, obscurely, a flame half-strangled by smoke,

A thing come to pass from a victory not a victory,

A dubious doctrine dubiously received.

The papers praise, but the recruiting is slow,

The bonds sell badly, the grind of the war goes on⁠—

There is no sudden casting off of a chain,

Only a slow thought working its way through the ground,

A slow root growing, touching a hundred soils,

A thousand minds⁠—no blossom or flower yet.

It takes a long time to bring a thought into act

And when it blossoms at last, the gardeners wonder⁠—

There have been so many to labor this patch of ground,

Garrison, Beecher, a dozen New England names,

Courageous, insulting Sumner, narrow and strong,

With his tongue of silver and venom and his wrecked body,

Wendell Phillips, Antinous of Harvard⁠—

But now that the thought has arisen, they are not sure

It was their thought after all⁠—it is good enough⁠—

The best one could expect from a man like Lincoln,

But this and that are wrong, are unshrewdly planned,

We could have ordered it better, we knew the ground,

It should have been done before, in a different way,

And our praise is grudging.

Pity the gardeners,

Pity Boston, pity the pure in heart,

Pity the men whom Time goes past in the night,

Without their knowledge. They worked through the heat of the day.

Let us even pity

Wendell Phillips, Antinous of Harvard,

For he was a model man and such men deserve

A definite pity at times.

He too did his best.

Secure in his own impenetrable self-knowledge,

He seldom agreed with Lincoln or thought him wise;

He sometimes thought that a stunning defeat would give

A needed lesson to the soul of the nation,

And, before, would have broken the Union as blithely as Yancey

For his own side of abolition, speaking about it

In many public meetings where he was heckled

But usually silenced the hecklers sooner or later

With his mellifluous, masculine, well-trained accents.

War could hardly come too soon for a man like that

And when it came, he was busy. He did his part,

Being strong and active, blessed with a ready mind,

And the cause being one to which he professed devotion,

He spoke. He spoke well, with conviction, and frequently.

So much for the banner-bearers of abolition,

The men who carried the lonely flag for years

And could bear defeat with the strength of the pure in heart

But could not understand the face of success.

The other dissenters are simpler to understand.

They are ready to fight for the Union but not for niggers,

They don’t give a damn for niggers and say so now

With a grievous cry.

And yet the slow root-thought works

Gradually through men’s minds.

The Lancashire spinners,

Thrown out of work because no cotton can come

To feed their mills through the choking Union blockade,

Yet hold starvation meetings and praise the Union.

The tide has begun to turn in some English minds,

The watchers overseas feel their hands grow numb,

Slidell and Mason and Huse still burrow and argue,

But a cold breath blows through the rooms with the chandeliers,

A door is beginning to close.

Few men perceive

The turn of the tide, the closing of the door.

Lincoln does not perceive it. He sees alone

The grind of the war, the lagging of the recruits,

Election after election going against him,

And Lee back safe in Virginia after Antietam

While McClellan sticks for five weeks and will not move.

He loses patience at last and removes McClellan.

Burnside succeeds him⁠—

and the grimly bewildered

Army of the Potomac has a new rider,

Affable, portly, whiskered and self-distrusting,

Who did not wish the command and tried to decline it,

Took it at last and almost wept when he did.

A worried man who passes like a sad ghost

Across November, looking for confidence,

And beats his army at last against stone walls

At Fredericksburg in the expected defeat

With frightful slaughter.

The news of the thing comes back.

There are tears in his eyes. He never wanted command.

“Those men over there,” he groans, “Those men over there”

—They are piled like cordwood in front of the stone wall⁠—

He wants to lead a last desperate charge himself,

But he is restrained.

The sullen army draws back,

Licking its wounds. The night falls. The newspapers rave.

There are sixty-three hundred dead in that doomed attack

That never should have been made.

His shoulders are bowed.

He tries a vain march in the mud and resigns at last

The weapon he could not wield.

Joe Hooker succeeds him.

The winter clamps down, cold winter of doubt and grief.

The sun shines, the wind goes by,

The prisoners and captives lie

In a cell without an eye.

Winter will not touch them more

Than the cold upon a sore

That was frozen long before.

Summer will not make them sweet

Nor the rainy Springs refresh

That extremity of heat

In the self-corrupting flesh.

The band blares, the bugles snort,

They lose the fort or take the fort,

Someone writes a wise report.

Someone’s name is Victory.

The prisoners and captives lie

Too long dead before they die.

For all prisoners and captives now,

For the dark legion,

The Andersonvillers, the Castle Thunder men,

The men who froze at Camp Morton and came from the dungeons

With blood burst out on their faces.

The men who died at Salisbury and Belle Isle,

Elmira, St. Louis, Camp Douglas⁠—the Libby tunnellers⁠—

The men in the fetid air.

There are charges back and forth upon either side,

Some true, some false.

You can read the official reports,

The dozen thick black-bound volumes of oaths and statements,

A desert of type, a dozen black mummy-cases

Embalming the long-forgotten, building again

The cumbrous machine of guards and reports and orders,

“Respectfully submitted”⁠ ⁠… “I beg to state”⁠ ⁠…

“State of kitchen⁠—good.”⁠ ⁠… “Food, quality of⁠—quite good.”⁠ ⁠…

“Police of hospital⁠—good except Ward 7”⁠ ⁠…

“Remarks⁠—we have ninety-five cases of smallpox now.”⁠ ⁠…

“Remarks⁠—as to general health of prisoners, fair.”⁠ ⁠…

“Remarks”⁠ ⁠… “Remarks”⁠ ⁠… “Respectfully submitted”⁠ ⁠…

Under this type are men who used to have hands

But the croaking wheels have respectfully submitted them

Into a void, embalmed them in mummy-cases,

With their chills and fever, their looks and plans of escape.

They called one “Shorty,” they called another “The Judge,”

One man wore the Virgin’s medal around his neck,

One had a broken nose and one was a liar,

“Respectfully submitted⁠—”

But, now and then,

A man or a scene escapes from the mummy-cases,

Like smoke escaping, blue smoke coiling into pictures,

Stare at those coils⁠—

and see in the hardened smoke,

The triple stockade of Andersonville the damned,

Where men corrupted like flies in their own dung

And the gangrened sick were black with smoke and their filth.

There were thirty thousand Federal soldiers there

Before the end of the war.

A man called Wirtz,

A Swiss, half brute, half fool, and wholly a clod,

Commanded that camp of spectres.

One reads what he did

And longs to hang him higher than Haman hung,

And then one reads what he said when he was tried

After the war⁠—and sees the long, heavy face,

The dull fly buzzing stupidly in the trap,

The ignorant lead of the voice, saying and saying,

“Why, I did what I could, I was ordered to keep the jail.

Yes, I set up deadlines, sometimes chased men with dogs,

Put men in torturing stocks, killed this one and that,

Let the camp corrupt till it tainted the very guards

Who came there with mortal sickness.

But they were prisoners, they were dangerous men,

If a hundred died a day⁠—how was it my fault?

I did my duty. I always reported the deaths.

I don’t see what I did different from other people.

I fought well at Seven Pines and was badly wounded.

I have witnesses here to tell you I’m a good man

And that I was really kind. I don’t understand.

I’m old. I’m sick. You’re going to hang me. Why?”

Crush out the fly with your thumb and wipe your hand,

You cannot crush the leaden, creaking machine,

The first endorsement, the paper on the desk

Referred by Adjutant Feeble to Captain Dull

For further information and his report.

Some men wish evil and accomplish it

But most men, when they work in that machine,

Just let it happen somewhere in the wheels.

The fault is no decisive, villainous knife

But the dull saw that is the routine mind.

Why, if a man lay dying on their desk

They’d do their best to help him, friend or foe,

But this is merely a respectfully

Submitted paper, properly endorsed

To be sent on and on, and gather blood.

Stare at the smoke again for a moment’s space

And see another live man in another prison.

A colored trooper named Woodson was on guard

In the prison at Newport News, one night around nine.

There was a gallery there, where the privy was,

But prisoners weren’t allowed in it after dark.

The colored soldier talked with the prisoners

At first, in a casual, more or less friendly way;

They tried to sell him breastpins and rings they had

And bothered him by wanting to go to the privy.

At last, he fired on a man

Who went in the gallery, but happened to miss him.

A lieutenant came down to ask the cause of the shot.

Woodson told him.

A second prisoner went

On the same errand, a shadow slipping through shadows.

Woodson halted him twice but he kept on moving.

“There’s a man in the gallery now,” said the young lieutenant.

“Well, I reckon it’s one of the men makin’ water again,”

Said Woodson, uneasily. The lieutenant stiffened.

He was officer of the guard and orders were orders.

“Why don’t you use the bayonet on him?” he said.

Woodson jumped forward. The bayonet hunched and struck.

The man ran into the privy and fell like a log.⁠ ⁠…

A prisoner said “You’ve killed him dead,” in a voice.

“Yes, by God!” said Woodson, cleaning his bayonet,

“They buried us alive at Fort Pillow.”

The court

Found the sentry a trifle hasty, but on the whole

Within his instructions, the officer’s orders lawful;

One cannot dispute the court.

And yet the man

Who went to the privy is inconveniently dead.

It seems an excessive judgment for going there.

The little pictures wreathe into smoke again.

The mummy-cases close upon the dark legion.

The papers are filed away.

If they once were sent

To another court for some last word of review,

They are back again. It seems strange that such tidy files

Of correspondence respectfully submitted

Should be returned from God with no final endorsement.

The slow carts hitched along toward the place of exchange

Through a bleak wind.

It was not a long wagon train,

Wagons and horses were too important to waste

On prisoners for exchange, if the men could march.

Many did march and some few died on the way

But more died up in the wagons, which was not odd.

If a man was too sick to walk, he was pretty sick.

They had been two days on the road.

Jack Ellyat lay

Between a perishing giant from Illinois

Who raved that he was bailing a leaky boat

Out on the Lakes, and a slight, tubercular Jew

Who muttered like a sick duck when the wagon jounced.

Bailey marched. He still was able to march

But his skin hung on him. He hummed to the Weaver’s tune.

They got to the river at last.

Jack Ellyat saw

A yellow stream and slow boats crossing the stream.

Bailey had helped him out. He was walking now

With his arm around Bailey’s neck. Their course was a crab’s.

The Jew was up and staring with shoe-button eyes

While his cough took him. The giant lay on a plank,

Some men were trying to lift him.

The wind blew

Over a knife of frost and shook their rags.

The air was a thawing ice of most pure, clear gold.

They stared across the river and saw the flag

And the tall, blue soldiers walking in thick, warm coats

Like strong, big men who fed well. And then they cheered,

A dry thin cheer, pumped up from exhausted lungs

And yet with a metal vibrance.

The bright flag flapped.

“I can smell ’em frying meat,” said the coughing Jew.

He sniffed, “Oh God, I hope it ain’t ham,” he said

With his mouth puckered. A number of scarecrows laughed.

And then they heard the echo of their own cheer

Flung back at them, it seemed, in a high, shrill wail

With that tongue of metal pulsing its feebleness.

But it did not end like an echo, it gathered and rose,

It was the Confederate sick on the other side,

Cheering their own.

The two weak crowd-voices met

In one piping, gull-like cry.

Then the boats began

To take the weak men on board.

Jack Ellyat walked

To his boat on stuffless legs. “Keep quiet,” he thought,

“You’re not through yet⁠—you won’t be through till you land.

They can jerk you back, even now, if you look too pleased.

Look like a soldier, damn you, and show them how.”

The thought was childish but it stiffened his back

And got him into the boat.

In the midst of the stream

They passed a boat with Confederate prisoners

So near they could yell at each other.

“Hello there, Yank.”

“Hello Reb”⁠ ⁠… “You look pretty sick⁠—don’t we feed you good?”⁠ ⁠…

“You don’t look so damn pretty, yourself”⁠ ⁠… “My, ain’t that a shame!”⁠ ⁠…

“You’ll look a lot sicker when Hooker gets after you.”⁠ ⁠…

“Hell, old Jack’ll take Hooker apart like a coffee-pot”⁠ ⁠…

“Well, goodbye, Yank”⁠ ⁠… “Goodbye, Reb”⁠ ⁠… “Get fat if you kin.”

So might meet and pass, perhaps, on a weedier stream

Other boats, no more heavily charged, to a wet, black oar.

Bailey watched the boat move away with its sick grey men

Still yelling stingless insults through tired lips.

He cupped his hands to his mouth. “Oh⁠—” he roared,

Then he sank back, coughing.

“They look pretty bad,” he said,

“They look glad to get back. They ain’t such bad Rebs at that.”

The boat’s nose touched the wharf. It swung and was held.

They got out. They didn’t move toward the camp at first.

They looked back at the river first and the other side,

Without saying words. They stood there thus for a space

Like a row of tattered cranes at the edge of a stream,

Blinking at something.

“All right, you men,” said an officer. “Come along.”

Jack Ellyat’s heart made a sudden lump in his chest.

It was a blue officer. They were back in their lines,

Back out of prison.

Bailey whirled out his arm

In a great wheel gesture. “Hell,” he said in a low,

Moved voice, thumbed his nose across at the Stars and Bars

And burst into horrible tears. Jack Ellyat held him.

“Captain, when do we eat?” said the Jew in a wail.