Fama e Redes Sociais
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Ongoing, First published May 07, 2026

Em um mundo obcecado por celebridades e movido pela velocidade das redes, acompanhamos a vida de Louis Tomlinson, um astro pop que tenta controlar sua imagem pública. Entre fãs apaixonados, rumores e estratégias de mídia, a narrativa explora os limites entre o público e o privado. A história mergulha em conversas caóticas, flertes e a busca por atenção em um universo onde a fama é um jogo de aparências e a vida se desenrola em tempo real. Uma comédia ácida sobre parasocialidade e a cultura da internet.
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24 Part
London breathes under a fog thick with coal dust and righteous fury. A singular, colossal figure – Michael Fane, the self-proclaimed Napoleon – stalks the streets of Notting Hill, not for conquest, but for a peculiar, escalating series of acts of civic “improvement.” He doesn’t steal, not precisely. He *rearranges*. He dismantles a building here, subtly alters a square there, all in the name of a deranged, geometric vision of order. The air hangs heavy with the dread of unspoken intentions. The narrative unravels through the eyes of a bewildered, increasingly horrified populace, and the desperate, flailing attempts of the police to understand a man who claims to be enacting a divine geometry. Each rearrangement isn’t merely vandalism, but a surgical excision of the city's soul, a chipping away at its haphazard, human beauty. A creeping claustrophobia settles in as Fane’s “improvements” become more audacious, more…necessary. The gas lamps cast elongated shadows that seem to mimic his reshaping of the streets. The scent of damp brick and decaying plaster clings to the air, mirroring the decay of reason within Fane’s mind. It’s not a story of violence, but of insidious, creeping control. The dread doesn't lie in what is *done*, but in the chilling logic behind it – a perverse, obsessive love for a perfect, sterile London that will be born from the rubble of the old. A city remade in the image of one man’s madness.