Arreglos y apatía
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Ongoing, First published May 29, 2026

La novela Arreglos y apatía sigue a dos hombres, Yoongi y Hoseok, cuando entran en un acuerdo pragmático para encontrar parejas a través del otro. Sin embargo, este acuerdo inicial revela rápidamente ansiedades y deseos tácitos. Los capítulos posteriores rastrean las tensas relaciones no resueltas de Yoongi, con un oficial de construcción, un amigo de la infancia y una creciente fascinación por Namjoon, todo mientras navegan en una vida familiar fracturada y una reputación de hostilidad..
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30 Part
A suffocating stillness clings to the crumbling estate of Blackwood Manor, where whispers of inherited madness and manufactured desires coil like smoke around the brittle bones of its last inhabitants. The air hangs thick with the scent of lilies and something acrid, something *new* – the scent of molded perfection, of faces smooth as porcelain, yet hollowed by an emptiness that mirrors the decay within the manor’s walls. Young Alistair Finch arrives seeking respite, lured by tales of his aunt’s peculiar philanthropy, but finds himself instead swallowed by a society obsessed with ‘refinement.’ Here, beauty is not born, but *constructed*. Faces are remade, personalities reshaped with a chilling precision, all under the watchful gaze of Aunt Isolde, whose smile is as flawless as it is predatory. Alistair discovers the manor’s guests are not merely indulging in vanity, but submitting to a procedure – a sculpting of flesh and will – that promises eternal youth and flawless form. But beneath the polished surfaces, cracks begin to appear. The garden, a labyrinth of sculpted hedges and glass flowers, holds a dark secret: discarded ‘shells’ of those who failed to meet Isolde’s impossible standards. Alistair finds himself drawn to Clara, a woman haunted by fragments of a life she no longer remembers, her eyes mirroring the vacant stare of the mannequins that populate the manor’s shadowed halls. As Alistair unravels the truth, he discovers the price of perfection is not merely beauty, but the very essence of self. The plastic age is not an era of renewal, but of extinction, where humanity is slowly, meticulously, *molded* into oblivion.