8

3 0 00

8

These philosophers, you see, are by no means uncorrupted witnesses and judges of the value of the ascetic ideal. They think of themselves⁠—what is the “saint” to them? They think of that which to them personally is most indispensable; of freedom from compulsion, disturbance, noise: freedom from business, duties, cares; of a clear head; of the dance, spring, and flight of thoughts; of good air⁠—rare, clear, free, dry, as is the air on the heights, in which every animal creature becomes more intellectual and gains wings; they think of peace in every cellar; all the hounds neatly chained; no baying of enmity and uncouth rancour; no remorse of wounded ambition; quiet and submissive internal organs, busy as mills, but unnoticed; the heart alien, transcendent, future, posthumous⁠—to summarise, they mean by the ascetic ideal the joyous asceticism of a deified and newly fledged animal, sweeping over life rather than resting. We know what are the three great catchwords of the ascetic ideal: poverty, humility, chastity; and now just look closely at the life of all the great fruitful inventive spirits⁠—you will always find again and again these three qualities up to a certain extent. Not for a minute, as is self-evident, as though, perchance, they were part of their virtues⁠—what has this type of man to do with virtues?⁠—but as the most essential and natural conditions of their best existence, their finest fruitfulness. In this connection it is quite possible that their predominant intellectualism had first to curb an unruly and irritable pride, or an insolent sensualism, or that it had all its work cut out to maintain its wish for the “desert” against perhaps an inclination to luxury and dilettantism, or similarly against an extravagant liberality of heart and hand. But their intellect did effect all this, simply because it was the dominant instinct, which carried through its orders in the case of all the other instincts. It effects it still; if it ceased to do so, it would simply not be dominant. But there is not one iota of “virtue” in all this. Further, the desert, of which I just spoke, in which the strong, independent, and well-equipped spirits retreat into their hermitage⁠—oh, how different is it from the cultured classes’ dream of a desert! In certain cases, in fact, the cultured classes themselves are the desert. And it is certain that all the actors of the intellect would not endure this desert for a minute. It is nothing like romantic and Syrian enough for them, nothing like enough of a stage desert! Here as well there are plenty of asses, but at this point the resemblance ceases. But a desert nowadays is something like this⁠—perhaps a deliberate obscurity; a getting-out-of the way of oneself; a fear of noise, admiration, papers, influence; a little office, a daily task, something that hides rather than brings to light; sometimes associating with harmless, cheerful beasts and fowls, the sight of which refreshes; a mountain for company, but not a dead one, one with eyes (that is, with lakes); in certain cases even a room in a crowded hotel where one can reckon on not being recognised, and on being able to talk with impunity to everyone: here is the desert⁠—oh, it is lonely enough, believe me! I grant that when Heracleitus retreated to the courts and cloisters of the colossal temple of Artemis, that “wilderness” was worthier; why do we lack such temples? (perchance we do not lack them: I just think of my splendid study in the Piazza di San Marco, in spring, of course, and in the morning, between ten and twelve). But that which Heracleitus shunned is still just what we too avoid nowadays: the noise and democratic babble of the Ephesians, their politics, their news from the “empire” (I mean, of course, Persia), their market-trade in “the things of today”⁠—for there is one thing from which we philosophers especially need a rest⁠—from the things of “today.” We honour the silent, the cold, the noble, the far, the past, everything, in fact, at the sight of which the soul is not bound to brace itself up and defend itself⁠—something with which one can speak without speaking aloud. Just listen now to the tone a spirit has when it speaks; every spirit has its own tone and loves its own tone. That thing yonder, for instance, is bound to be an agitator, that is, a hollow head, a hollow mug: whatever may go into him, everything comes back from him dull and thick, heavy with the echo of the great void. That spirit yonder nearly always speaks hoarse: has he, perchance, thought himself hoarse? It may be so⁠—ask the physiologists⁠—but he who thinks in words, thinks as a speaker and not as a thinker (it shows that he does not think of objects or think objectively, but only of his relations with objects⁠—that, in point of fact, he only thinks of himself and his audience). This third one speaks aggressively, he comes too near our body, his breath blows on us⁠—we shut our mouth involuntarily, although he speaks to us through a book: the tone of his style supplies the reason⁠—he has no time, he has small faith in himself, he finds expression now or never. But a spirit who is sure of himself speaks softly; he seeks secrecy, he lets himself be awaited. A philosopher is recognised by the fact that he shuns three brilliant and noisy things⁠—fame, princes, and women: which is not to say that they do not come to him. He shuns every glaring light: therefore he shuns his time and its “daylight.” Therein he is as a shadow; the deeper sinks the sun, the greater grows the shadow. As for his humility, he endures, as he endures darkness, a certain dependence and obscurity: further, he is afraid of the shock of lightning, he shudders at the insecurity of a tree which is too isolated and too exposed, on which every storm vents its temper, every temper its storm. His “maternal” instinct, his secret love for that which grows in him, guides him into states where he is relieved from the necessity of taking care of himself, in the same way in which the “mother” instinct in woman has thoroughly maintained up to the present woman’s dependent position. After all, they demand little enough, do these philosophers, their favourite motto is, “He who possesses is possessed.” All this is not, as I must say again and again, to be attributed to a virtue, to a meritorious wish for moderation and simplicity; but because their supreme lord so demands of them, demands wisely and inexorably; their lord who is eager only for one thing, for which alone he musters, and for which alone he hoards everything⁠—time, strength, love, interest. This kind of man likes not to be disturbed by enmity, he likes not to be disturbed by friendship, it is a type which forgets or despises easily. It strikes him as bad form to play the martyr, “to suffer for truth”⁠—he leaves all that to the ambitious and to the stage-heroes of the intellect, and to all those, in fact, who have time enough for such luxuries (they themselves, the philosophers, have something to do for truth). They make a sparing use of big words; they are said to be adverse to the word “truth” itself: it has a “high falutin’ ” ring. Finally, as far as the chastity of philosophers is concerned, the fruitfulness of this type of mind is manifestly in another sphere than that of children; perchance in some other sphere, too, they have the survival of their name, their little immortality (philosophers in ancient India would express themselves with still greater boldness: “Of what use is posterity to him whose soul is the world?”). In this attitude there is not a trace of chastity, by reason of any ascetic scruple or hatred of the flesh, any more than it is chastity for an athlete or a jockey to abstain from women; it is rather the will of the dominant instinct, at any rate, during the period of their advanced philosophic pregnancy. Every artist knows the harm done by sexual intercourse on occasions of great mental strain and preparation; as far as the strongest artists and those with the surest instincts are concerned, this is not necessarily a case of experience⁠—hard experience⁠—but it is simply their “maternal” instinct which, in order to benefit the growing work, disposes recklessly (beyond all its normal stocks and supplies) of the vigour of its animal life; the greater power then absorbs the lesser. Let us now apply this interpretation to gauge correctly the case of Schopenhauer, which we have already mentioned: in his case, the sight of the beautiful acted manifestly like a resolving irritant on the chief power of his nature (the power of contemplation and of intense penetration); so that this strength exploded and became suddenly master of his consciousness. But this by no means excludes the possibility of that particular sweetness and fullness, which is peculiar to the aesthetic state, springing directly from the ingredient of sensuality (just as that “idealism” which is peculiar to girls at puberty originates in the same source)⁠—it may be, consequently, that sensuality is not removed by the approach of the aesthetic state, as Schopenhauer believed, but merely becomes transfigured, and ceases to enter into the consciousness as sexual excitement. (I shall return once again to this point in connection with the more delicate problems of the physiology of the aesthetic, a subject which up to the present has been singularly untouched and unelucidated.)