III
We do not know the Country House until we realize, to begin with, what its physical characteristics are like. There are a great many descriptions which the reader may consult if he does not happen to live in the neighborhood of a great Country House: but perhaps instead of examining the contemporary Country House it will be well to go back to its beginnings, and see how it was pictured in all its encrusted splendor at the first movement of the Renaissance—in the setting which François Rabelais, in one of the few downright serious passages in his great work, Gargantua, sought to provide for the good life.
Gargantua purposes to build a new Abbey which he calls the Abbey of Thélème. This Abbey is to be in every respect what the medieval Abbey was not. Hence to begin with, the Abbey, unlike the castle, is to lie in the midst of the open country; and unlike the monastery, it is to have no walls. Every member is to be furnished with a generous apartment, consisting of a principal room, a withdrawing room, a handsome closet, a wardrobe, and an oratory; and the house itself is to contain not merely libraries in every language, but fair and spacious galleries of paintings. Besides these lodgings there is to be a tiltyard, a riding court, a theatre, or public playhouse, and a natatory or place to swim. By the river, for the Abbey is to be situated on the Loire, there is to be a Garden of Pleasure, and between two of the six towers of the hexagon, in which form the building is arranged, there are courts for tennis and other games. Add to this orchards full of fruit trees, parks abounding with venison, and an archery range, fill all the halls and chambers with rich tapestries, cover all the pavements and floors with green cloth—and the furnishing of the Abbey of Thélème is complete.
The costumes of the inmates are equally splendid and elaborate. In order to have the accoutrements of the ladies’ and gentlemen’s toilets more convenient, there was to be “about the wood of Thélème a row of houses to the extent of half a league, very neat and cleanly, wherein dwelt the goldsmiths, lapidaries, jewellers, embroiderers, tailors, gold drawers, velvet weavers, tapestry makers, and upholsterers. …” They were to be “furnished with matter and stuff from the hands of Lord Nausiclete, who every year brought them seven ships from the Perlas and Cannibal Islands, laden with ingots of gold, with raw silk, with pearls and precious stones.”
The women who are admitted to Thélème must be fair, well-featured, and of sweet disposition; the men must be comely and well-conditioned. Everyone is to be admitted freely and allowed to depart freely; and instead of attempting to practice poverty, chastity, and obedience, the inmates may be honorably married, may be rich, and may live at liberty.
The liberty of Thélème is indeed complete; it is such a liberty as one enjoys at a Country House to this day, under the care of a tactful hostess; for everyone does nothing except follow his own free will and pleasure, rising out of his bed whenever he thinks good, and eating, drinking, and laboring when he has a mind to it. In all their rule and strictest tie of their order, as Rabelais puts it, there is but one clause to be observed—
“Do what you please.”