Clerambault had just finished with a Schilleresque vision of the fraternal joys promised in the future. Maxime, carried away by his enthusiasm in spite of his sense of humour, had given the orator a round of applause all by himself. Pauline noisily asked if Agénor had not heated himself in speaking, and amid the excitement Rosine silently pressed her lips to her father’s hand.
The servant brought in the mail and the evening papers, but no one was in a hurry to read them. The news of the day seemed behind the times compared with the dazzling future. Maxime however took up the popular middle-class sheet, and threw his eye over the columns. He started at the latest items and exclaimed; “Hullo! War is declared.” No one listened to him: Clerambault was dreaming over the last vibrations of his verses; Rosine lost in a calm ecstasy; the mother alone, who could not fix her mind on anything, buzzing about like a fly, chanced to catch the last word—“Maxime, how can you be so silly?” she cried, but Maxime protested, showing his paper with the declaration of war between Austria and Serbia.
“War with whom?”—“With Serbia?”—“Is that all?” said the good woman, as if it were a question of something in the moon.
Maxime however persisted—doctus cum libro—arguing that from one thing to another, this shock no matter how distant, might bring about a general explosion; but Clerambault, who was beginning to come out of his pleasant trance, smiled calmly, and said that nothing would happen.
“It is only a bluff,” he declared, “like so many we have had for the last thirty years; we get them regularly every spring and summer; just bullying and sabre-rattling.” People did not believe in war, no one wanted it; war had been proved to be impossible—it was a bugbear that must be got out of the heads of free democracies … and he enlarged on this theme. The night was calm and sweet; all around familiar sounds and sights; the chirp of crickets in the fields, a glowworm shining in the grass—delicious perfume of honeysuckle. Far away the noise of a distant train; the little fountain tinkled, and in the moonless sky revolved the luminous track of the light on the Eiffel Tower.
The two women went into the house, and Maxime, tired of sitting down, ran about the garden with his little dog, while through the open windows floated out an air of Schumann’s, which Rosine, full of timid emotion, was playing on the piano. Clerambault left alone, threw himself back in his wicker chair, glad to be a man, to be alive, breathing in the balm of this summer night with a thankful heart.