Glang Pertama Diam
  • 12
  • 0
  • 5
  • Read 12
  • 0
  • Part 5
Ongoing, First published May 24, 2026

This novel follows a ninth-grade student navigating the complexities of first impressions and burgeoning attraction. The narrative traces the narrator’s quiet observations of a new classmate, Kim Taehyung, and the subtle shifts within themselves as they begin to notice him. Initially grappling with feelings of social awkwardness and a desire for connection, the narrator finds unexpected warmth in Taehyung’s presence. These early chapters depict a hopeful, anxious pursuit of friendship, marked by secret glances and the thrill of feeling noticed. The story delicately explores adolescent longing and the delicate beginnings of a possible bond.
Copyright: All Rights Reserved
No person is allowed to use, redistribute, or modify your work in any form without your explicit permission.
Recommended for you
35 Part
A creeping fog clings to the shadowed halls of intention, where the architecture of self is both built and dismantled by the relentless tide of experience. This is not a tale of monsters under the bed, but of the monstrous potential *within* the very marrow of becoming. Each chapter unfolds like a slow dissection of the will, revealing the damp, echoing chambers of habit and impulse. The narrative breathes with the chill of observation—a clinical study rendered in shades of gray, where the boundaries between observer and observed blur into a suffocating unity. There’s a pervasive dampness here, not of rain, but of the unacknowledged desires that bloom in the darkness of the psyche. The characters are less figures of flesh and blood than specimens pinned under glass, their struggles for autonomy shadowed by the inevitability of constraint. A sense of claustrophobia doesn't stem from physical confinement, but from the suffocating weight of expectation, the unseen pressures that mold the human form. The atmosphere is one of decaying idealism, a slow erosion of principle under the acid rain of consequence. One feels the weight of accumulated choices, the ghostly fingerprints of past selves clinging to every action. It’s a study of how easily the noble edifice of the mind can be undermined by the shifting sands of circumstance, leaving behind only the hollow shell of what *should* have been. The silence here is not peaceful, but pregnant with the unspoken justifications for every compromise, every surrender. A cold, sterile light illuminates the wreckage of unfulfilled potential.
17 Part
The manor hums with static, a low throb beneath floorboards and within the chipped porcelain dolls that populate its shadowed halls. Old money clings to the Thayer estate like ivy, choking the life from the stone. Our protagonist, a woman named Iris, arrives as the “companion” to the reclusive Mr. Silas Blackwood—a man rumored to have grafted his grief onto the very architecture of the house, weaving it into the electrical wiring that now snakes through every room. But the house *feels*. It breathes with the rhythms of forgotten machines, whispers through copper filaments, and reflects Iris’s own loneliness in the flickering gas lamps. She soon discovers the wiring isn’t merely a means of illumination, but a conduit for Blackwood’s obsessions—a network of surveillance, of control, and of a love so fractured it’s been reassembled into something cold and metallic. The air tastes of ozone and dust. Every creak of the floorboards feels like a watched step. Iris finds herself increasingly drawn to the hidden rooms where Blackwood conducts his experiments—rooms filled with humming devices, spools of wire, and the scent of burnt circuitry. She begins to suspect the manor isn’t protecting Blackwood from the world, but *from* himself, and that Iris, wired into his strange affection, is becoming another layer in his increasingly fragile construction. The further she delves into the house’s heart, the more she realizes this isn’t a love story, but a parasitic entanglement with a man who has made himself a ghost within his own machine.
35 Part
A creeping dampness clings to every page, mirroring the subterranean passage that dominates this fractured narrative. Here, the London streets exhale not into sunlight, but into a labyrinth of echoing brick and shadowed alcoves. The protagonist, adrift in a city both vast and suffocating, finds herself drawn – or perhaps driven – towards a network of tunnels beneath the city’s heart. These aren’t merely physical spaces, but corridors of memory, of unspoken desires, and of a creeping, nameless dread. The narrative unravels like damp thread, pulling at the edges of a life fractured by loss and yearning. A fractured, internal world is rendered through fragmented perceptions. Every encounter, every overheard fragment of conversation, feels weighted with a melancholic resonance. The air is thick with the scent of coal dust and decay, punctuated by the distant rumble of unseen machinery. There is a sense of being watched, of being drawn into a conspiracy of shadows, not by villains, but by the very fabric of the city itself. The tunnel is a metaphor, of course—a descent into the subconscious, a descent into a forgotten self. The prose is less about what is seen, and more about what is *felt* – the cold stone against skin, the suffocating weight of the earth above, the gnawing certainty of something lost, irretrievable, and buried deep within the echoing darkness. A claustrophobic, hypnotic descent into the heart of a woman’s unraveling, and a city’s hidden wounds.