Surpresa da Sonserina
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Ongoing, First published May 24, 2026

A história começa com a busca determinada de Alexandra Weasley por novas vestes e material escolar enquanto ela se prepara para seu primeiro ano em Hogwarts. Esses capítulos iniciais seguem Alexandra enquanto ela navega pelas tensões familiares – particularmente com seu irmão gêmeo Ron – e inesperadamente encontra um terreno comum com Draco Malfoy no trem para a escola. No entanto, sua classificação em Sonserina, ao lado de Draco, oferece um choque para sua família e colegas. A narrativa traça as expectativas iniciais de Alexandra..
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8 Part
A suffocating dread clings to the cobbled streets of Saint Petersburg, mirrored in the hollowed eyes of Nikolai Semyonov, a man publicly branded a fool and stripped of his name. Andreyev doesn’t offer melodrama, but a slow, creeping asphyxiation of the spirit. Each calculated insult, each jeering dismissal isn’t simply humiliation, but a surgical carving of Semyonov’s identity. The narrative coils like a winter fog, obscuring the boundaries between sanity and delusion as Semyonov descends into a self-imposed exile, drawn to the dark magnetism of a circus performer, Diana. The circus itself is a charnel house of fractured souls, a stage for the macabre dance of obsession. Here, the air is thick with the scent of decay and the metallic tang of desperation. Diana, a goddess of broken glass and whispered promises, offers Semyonov not solace, but a reflection of his own fractured existence. His pursuit of her is a descent into a labyrinth of warped mirrors, where love and madness bleed into one another. The prose is less concerned with plot than with the erosion of the self. The city is a predator, the snow a shroud, and Semyonov, already marked for oblivion, willingly walks into the waiting shadows. It’s a story not of revenge, but of the beautiful, terrible grace of annihilation, a haunting testament to the power of societal cruelty to hollow a man until he is nothing but an echoing shell, eager to be shattered. The final act doesn't explode in violence, but implodes with a quiet, agonizing surrender.