I + 

On the school gymnasium floor, young men and women are drilling. They are going to be teachers, and go out into the world⁠ ⁠… thud, thud⁠ ⁠… and give precision to the movements of sick people who all their lives have been drilling. One man is out of step. In step. The teacher glares at him. A girl in bloomers, seated on a mat in the corner because she has told the director that she is sick, sees that the footfalls of the men are rhythmical and syncopated. The dance of his blue-trousered limbs thrills her. + 

Bona: He is a candle that dances in a grove swung with pale balloons. + 

Columns of the drillers thud towards her. He is in the front row. He is in no row at all. Bona can look close at him. His red-brown face⁠— + 

Bona: He is a harvest moon. He is an autumn leaf. He is a nigger. Bona! But dont all the dorm girls say so? And dont you, when you are sane, say so? Thats why I love⁠—Oh, nonsense. You have never loved a man who didnt first love you. Besides⁠— + 

Columns thud away from her. Come to a halt in line formation. Rigid. The period bell rings, and the teacher dismisses them. + 

A group collects around Paul. They are choosing sides for basketball. Girls against boys. Paul has his. He is limbering up beneath the basket. Bona runs to the girl captain and asks to be chosen. The girls fuss. The director comes to quiet them. He hears what Bona wants. + 

“But, Miss Hale, you were excused⁠—” + 

“So I was, Mr. Boynton, but⁠—” + 

“⁠—you can play basketball, but you are too sick to drill.” + 

“If you wish to put it that way.” + 

She swings away from him to the girl captain. + 

“Helen, I want to play, and you must let me. This is the first time I’ve asked and I dont see why⁠—” + 

“Thats just it, Bona. We have our team.” + 

“Well, team or no team, I want to play and thats all there is to it.” + 

She snatches the ball from Helen’s hands, and charges down the floor. + 

Helen shrugs. One of the weaker girls says that she’ll drop out. Helen accepts this. The team is formed. The whistle blows. The game starts. Bona, in center, is jumping against Paul. He plays with her. Out-jumps her, makes a quick pass, gets a quick return, and shoots a goal from the middle of the floor. Bona burns crimson. She fights, and tries to guard him. One of her teammates advises her not to play so hard. Paul shoots his second goal. + 

Bona begins to feel a little dizzy and all in. She drives on. Almost hugs Paul to guard him. Near the basket, he attempts to shoot, and Bona lunges into his body and tries to beat his arms. His elbow, going up, gives her a sharp crack on the jaw. She whirls. He catches her. Her body stiffens. Then becomes strangely vibrant, and bursts to a swift life within her anger. He is about to give way before her hatred when a new passion flares at him and makes his stomach fall. Bona squeezes him. He suddenly feels stifled, and wonders why in hell the ring of silly gaping faces that’s caked about him doesnt make way and give him air. He has a swift illusion that it is himself who has been struck. He looks at Bona. Whir. Whir. They seem to be human distortions spinning tensely in a fog. Spinning⁠ ⁠… dizzy⁠ ⁠… spinning⁠ ⁠… Bona jerks herself free, flushes a startling crimson, breaks through the bewildered teams, and rushes from the hall. + 