II
The Gilfeather Chautauqua Corporation, which conducts week-long Chautauquas in small towns, had not been interested when Elmer had hinted, three years ago, that he had a Message to the Youth of America, one worth at least a hundred a week, and that he would be glad to go right out to the Youth and deliver it. But when Elmer’s demolition of all vice in Zenith had made him celebrated, and even gained him a paragraph or two as the Crusading Parson, in New York and Chicago, the Gilfeather Corporation had a new appreciation. They came to him, besieged him, offered him two hundred a week and headlines in the posters, for a three-months tour.
But Elmer did not want to ask the trustees for a three-months leave. He had a notion of a summer in Europe a year or two from now. That extended study of European culture, first hand, would be just the finishing polish to enable him to hold any pulpit in the country.
He did, however, fill in during late August and early September as substitute for a Gilfeather headliner—the renowned J. Thurston Wallett, M.D., D.O., D.N., who had delighted thousands with his witty and instructive lecture, “Diet or Die, Nature or Nix,” until he had unfortunately been taken ill at Powassie, Iowa, from eating too many green cantaloupes.
Elmer had planned to spend August with his family in Northern Michigan—planned it most uncomfortably, for while it was conceivable to endure Cleo in the city, with his work, his clubs, and Lulu, a month with no relief from her solemn drooping face and crybaby voice would be trying even to a Professional Good Man.
He explained to her that duty called, and departed with speed, stopping only long enough to get several books of inspirational essays from the public library for aid in preparing his Chautauqua lecture.
He was delighted with his coming adventure—money, fame in new quarters, crowds for whom he would not have to think up fresh personal experiences. And he might find a woman friend who would understand him and give to his own solid genius that lighter touch of the feminine. He was, he admitted, almost as tired of Lulu as of Cleo. He pictured a Chautauqua lady pianist or soprano or ventriloquist or soloist on the musical saw—he pictured a surprised, thrilled meeting in the amber light under the canvas roof—recognition between kindred fine and lonely souls—
And he found it of course.