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And now the evening is approaching. The sun is low and red. It looks straight into people’s eyes as though, while expiring, it were begging for mercy. A breeze blows from the river, and it brings the laughter of white water nymphs.
A number of noisy urchins are running in the road; their shirttails flap merrily in the wind, while their sleeves are filled with wind like balloons. The sound of a harmonica comes from the distance, and its song runs on very merrily. The corncrake screeches in the field, and its call resembles a general’s loud snore.
The old house once more casts and arranges its long dark shadows disturbed by the intrusive day. Its windows blaze forth with the red fire of the evening sun.
The gilliflower exhales its seductive aroma in some of the distant paths. The roses seem even redder in the sunset, and more sweet. The eternal Aphrodite—the naked marble of her proud body taking on a rose tint—smiles again, and lets fall her draperies as fascinatingly as ever.
And everything is directed as before toward cherished, unreasonable hopes. Enfeebled by the day’s heat, and by the sadness of the bright day, the harassed soul has exhausted its measure of suffering, and it falls from the iron embrace of sorrow to the beloved dark earth of the past, once more besprinkled with dreamily refreshing dew.
And again, as at dawn, the three women in the old house await Boris, or a short time happy in their madness.
They await him, and they chat of him, until, from behind the trees of the dark wood, the cold moon shows her ever sad face. The dead moon is under a white shroud of mist.
Then again they remember that Borya has been hanged, and they meet at the green-covered pond to weep for him.