In Pickle

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In Pickle

The journals say that the embalming done

To Garfield’s body badly was begun,

Faultily finished all too soon⁠—in short

Was of a most unsatisfactory sort.

Unsatisfactory? How so? To whom?

Has the long sullen silence of the tomb

At last been broken? Is rebellion’s head

Reared in the subject province of the dead?

Unsatisfactory, forsooth! Who’d wish

To satisfy, in salting it, a fish?

With spices when the conscious cook supplies

The autumnal mince-meat for the winter pies

He makes no question if the meat prefer

Clove, cinnamon or pepper, sage or myrrh.

“There was,” says Chowder if a clam upbraid,

“No thought of pleasing thee when I was made.”

What! shall the dead with impudence complain

Of how we’ve potted each inert remain?⁠—

The pickle criticise and even condemn,

As if the purpose were to pleasure them?

Their cure they rightly canvass in disease;

We’ll cure them after in what way we please.

With blazing eulogies in crowded halls,

And mourning emblems blackening the walls;

With gorgeous funerals, both at the spot

Where you were buried and where you were not⁠—

A dummy funeral’s inutile show

Fifty to manifest a dummy woe;

With black-ruled journals, selling all at twice

The customary uneventful price;

With guarded tomb and monument as fine

As any light-house on the ocean line⁠—

Garfield, if still you are dissatisfied

You might as profitably not have died.

So you’re complaining⁠—vive la bagatelle!

The brine, no doubt, was weak, and cheap as well,

Got for a song an undertaker sang

(We paid him for it through the nose⁠—the pang

More keen than all our sorrow.) Even so,

Your bones that served us for a public show

Outlast already our unsalted woe.